Art of Sopilka Performance in Solo Execution

The purpose of this paper is to provide a musicological analysis of the evolution of solo sopilka performance, delineating its progression from a folk instrument to a distinct entity within the realms of both modern academic and popular music. The methodology of research is founded on principles of systematisation, analysis, and generalisation, which enable the revelation of the tendencies of development of solo sopilka performance and its place in cultural and artistic life in Ukraine. Utilising a historical and cultural approach permits the tracing of the development of the status of the sopilka from that of a traditional household instrument to that of national identity within the context of global musical processes. The employment of a comparative approach facilitates the examination of the influence of modernisation processes on the repertoire of instruments, playing technique, and stage appearance. Scientific Novelty. The current paper sets out to demonstrate the details of the development of solo sopilka performance, its modification in the context of contemporary music, and its role in the establishment of Ukrainian cultural identity. Conclusions. The sopilka’s function within the context of Ukrainian culture underwent a radical transformation: it transitioned from a folk instrument to a professional medium for contemporary performance. During the 20th century, the sopilka underwent modifications in its construction, leading to an augmentation of its technical capabilities and its subsequent recognition as an instrument of academic music. The evolution of solo sopilka performance towards its current manifestation as an integral component of the global music industry, particularly within the context of world music business, commenced at the dawn of the 21st century. This transformation can be characterised as a synthesis of traditional timbre and contemporary musical genres, encompassing genres such as pop music, ethno-fusion, jazz, and electronic music.