Transitivity Choices and Gender Construction in Elif Shafak’s 10 Minutes 38 Seconds in this Strange World

The current study examines the representation of gender in Elif Shafak’s 10 Minutes 38 Seconds in this Strange World using Halliday’s (1985) Transitivity as an approach. Employing both qualitative and quantitative approaches, the research analyzes nine purposively sampled extracts, comprising 87 clauses, with a focused discussion on two key samples. The findings reveal that Shafak has made use of all types of processes but with varying frequency. The female characters are predominantly engaged in mental while the male characters are involved in material action, often with female characters as goals. The striking contrast in the nature of their actions and the circumstances, in which they are carried out, show that Elif shafak has depicted her female characters as passive, powerless, hesitant and lacking autonomy. On the other hand, the male characters have been portrayed as dominant, active, autonomous, confident and powerful. The findings reinforce how Shafak’s engages with gender and power structure in literary discourse on gender inequality.

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Publication Details

Journal
˜The œcritical review of social sciences studies
Published
2025-04-23
DOI
https://doi.org/10.59075/jmqctx53
Primary Topic
Jewish and Middle Eastern Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

Transitivity Choices and Gender Construction in Elif Shafak’s 10 Minutes 38 Seconds in this Strange World

Sana Islam, Liaqat Iqbal
˜The œcritical review of social sciences studies
Jewish and Middle Eastern Studies
article

Transitivity Choices and Gender Construction in Elif Shafak’s 10 Minutes 38 Seconds in this Strange World

Sana Islam, Liaqat Iqbal
article en

Abstract

The current study examines the representation of gender in Elif Shafak’s 10 Minutes 38 Seconds in this Strange World using Halliday’s (1985) Transitivity as an approach. Employing both qualitative and quantitative approaches, the research analyzes nine purposively sampled extracts, comprising 87 clauses, with a focused discussion on two key samples. The findings reveal that Shafak has made use of all types of processes but with varying frequency. The female characters are predominantly engaged in mental while the male characters are involved in material action, often with female characters as goals. The striking contrast in the nature of their actions and the circumstances, in which they are carried out, show that Elif shafak has depicted her female characters as passive, powerless, hesitant and lacking autonomy. On the other hand, the male characters have been portrayed as dominant, active, autonomous, confident and powerful. The findings reinforce how Shafak’s engages with gender and power structure in literary discourse on gender inequality.

˜The œcritical review of social sciences studiesVol. 3(2)
Abdul Wali Khan University Mardan (PK)
Openalex Percentile: Top 89%
Jewish and Middle Eastern Studies
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