Cosmopolitan Ideal in Timothy Mo’s An Insular Possession

Hong Kong-born British writer Timothy Mo’s novel An Insular Possession (1986) focuses on the First Opium War (1839–1842) and critically examines global inequalities. This article explores cosmopolitanism as a potential framework for mitigating cross-cultural conflicts. Instead of embracing cosmopolitanism as an inherently positive vision, the novel critiques two cosmopolitan worldviews—British colonialism and the Chinese Tianxia concept—and reveals the potential complicity of cosmopolitanism in consolidating hierarchical world orders. Through the protagonist Gideon Chase, an American expatriate engaged in studying Chinese language and culture, Mo envisions a de-colonial cosmopolitan vision that seeks to transcend the center/margin dynamic and fosters more equitable cross-cultural interactions. Gideon’s ultimate failure to alleviate Sino–British tensions prompts reflections on global justice and underscores the urgent need to establish a cosmopolitan world order marked by peace, mutual respect and tolerance of difference.

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Publication Details

Journal
Humanities
Published
2025-04-25
DOI
https://doi.org/10.3390/h14050098
Citations
1
Primary Topic
Postcolonial and Cultural Literary Studies
Type
article
Field-Weighted Citation Impact
15.18

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article

Cosmopolitan Ideal in Timothy Mo’s An Insular Possession

Zhenhua Ni, Shenghao Hu
1 citations
Humanities
Postcolonial and Cultural Literary Studies
15.18
article

Cosmopolitan Ideal in Timothy Mo’s An Insular Possession

Zhenhua Ni, Shenghao Hu
article en
1 citations

Abstract

Hong Kong-born British writer Timothy Mo’s novel An Insular Possession (1986) focuses on the First Opium War (1839–1842) and critically examines global inequalities. This article explores cosmopolitanism as a potential framework for mitigating cross-cultural conflicts. Instead of embracing cosmopolitanism as an inherently positive vision, the novel critiques two cosmopolitan worldviews—British colonialism and the Chinese Tianxia concept—and reveals the potential complicity of cosmopolitanism in consolidating hierarchical world orders. Through the protagonist Gideon Chase, an American expatriate engaged in studying Chinese language and culture, Mo envisions a de-colonial cosmopolitan vision that seeks to transcend the center/margin dynamic and fosters more equitable cross-cultural interactions. Gideon’s ultimate failure to alleviate Sino–British tensions prompts reflections on global justice and underscores the urgent need to establish a cosmopolitan world order marked by peace, mutual respect and tolerance of difference.

HumanitiesVol. 14(5)
Queen Mary University of London (GB), Nanyang Technological University (SG)
China Scholarship Council, National Office for Philosophy and Social Sciences
Openalex Percentile: Top 3%
Postcolonial and Cultural Literary Studies
15.18
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Cosmopolitan Ideal in Timothy Mo’s An Insular Possession — Zhenhua Ni, Shenghao Hu · Humanities (2025) | TGRS Research Map | TGRS