No princípio, era o afeto

Based on a theoretical and methodological perspective that seeks to deviate from the logocentrism dominant in Modern Western Culture, this study focuses on the essential role of affect in the creations of Mapa Teatro, a Colombian group founded by siblings Heidi and Rolf Abderhalden. Generated in their bodies by the effects of the forces that vibrate across the environmental, social, and mental ecosystems of the present, affect triggers the group’s creative process, aiming to draw a “map” that makes sensitive the affect in question. As an example, the article analyzes the triptych Anatomia da Violência na Colômbia (2010-2017), in which the figuration of the affect of violence and the announcement of appropriate responses to it—the driver of several of the group’s works—reaches its most refined realization.

Authors

Publication Details

Journal
Sala Preta
Published
2024-12-26
DOI
https://doi.org/10.11606/issn.2238-3867.v23i3p240-291
Citations
1
Primary Topic
Brazilian cultural history and politics
Type
article
Field-Weighted Citation Impact
1.13
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article

No princípio, era o afeto

Suely Rolnik
1 citations
Sala Preta
Brazilian cultural history and politics
1.13
article

No princípio, era o afeto

Suely Rolnik
article en
1 citations

Abstract

Based on a theoretical and methodological perspective that seeks to deviate from the logocentrism dominant in Modern Western Culture, this study focuses on the essential role of affect in the creations of Mapa Teatro, a Colombian group founded by siblings Heidi and Rolf Abderhalden. Generated in their bodies by the effects of the forces that vibrate across the environmental, social, and mental ecosystems of the present, affect triggers the group’s creative process, aiming to draw a “map” that makes sensitive the affect in question. As an example, the article analyzes the triptych Anatomia da Violência na Colômbia (2010-2017), in which the figuration of the affect of violence and the announcement of appropriate responses to it—the driver of several of the group’s works—reaches its most refined realization.

Sala PretaVol. 23(3)
Openalex Percentile: Top 13%
Brazilian cultural history and politics
1.13
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