From Feed to Flow: Watching Television on TikTok

This paper investigates how users engage with content on TikTok that was originally produced for television. Based on interviews with participants in Costa Rica, we argue that watching television content on TikTok provides valuable insights into the future trajectories of both television and new media. To this end, we first demonstrate that TikTok’s television flow (in Raymond Williams’ sense) is “co-programed” through user interaction with algorithms, rather than being universally predetermined. We then posit the notion of “uncommitted attention” to argue that watching television on TikTok involves active engagement with content and texto-material conditions that make this experience fleeting and unstable. Finally, we examine how users establish cross-platform flows between TikTok and their broader media environments. In this way, we offer insights into how ontologically ambivalent platforms such as TikTok reconfigure traditional television watching.

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Institutions

Publication Details

Journal
Television & New Media
Published
2025-04-24
DOI
https://doi.org/10.1177/15274764251334576
Citations
4
Primary Topic
Caching and Content Delivery
Type
article
Field-Weighted Citation Impact
5.95

Funders

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article

From Feed to Flow: Watching Television on TikTok

Luciana Valerio-Alfaro, Ignacio Siles
4 citations
Television & New Media
Caching and Content Delivery
5.95
article

From Feed to Flow: Watching Television on TikTok

Luciana Valerio-Alfaro, Ignacio Siles
article en
4 citations

Abstract

This paper investigates how users engage with content on TikTok that was originally produced for television. Based on interviews with participants in Costa Rica, we argue that watching television content on TikTok provides valuable insights into the future trajectories of both television and new media. To this end, we first demonstrate that TikTok’s television flow (in Raymond Williams’ sense) is “co-programed” through user interaction with algorithms, rather than being universally predetermined. We then posit the notion of “uncommitted attention” to argue that watching television on TikTok involves active engagement with content and texto-material conditions that make this experience fleeting and unstable. Finally, we examine how users establish cross-platform flows between TikTok and their broader media environments. In this way, we offer insights into how ontologically ambivalent platforms such as TikTok reconfigure traditional television watching.

Television & New MediaVol. 26(7)
Universidad de Costa Rica (CR)
Vicerrectoría de Investigación, Universidad de Costa Rica
Openalex Percentile: Top 4%
Caching and Content Delivery
5.95
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