The cultural truth in drum dance festival of aboriginal people in Northwest Territories in Canada

Dance is one unique art whose cultural truth has been misinterpreted based on individualism, assumption, and scholarly perceptive thinking because of its major functionalities of identity and entertainment, thereby suppressing the core truth of originality and essence. Any dance's originality and essence make it culturally communicative, relevant, and diverse anywhere it is performed. The dance of any community tells its own story of who they are and how they emerged, but whether is generally acceptable by all and sundry becomes the sole purpose of this research using the drum dance of Aboriginal people in the Northwest Territories of Canada as a study. To justify claims or findings in this research, the study adopts the cultural consensus theory by Williams H. Batchelder (which states that people must communally understand and appreciate their culture with one tone before others would accept it). The study concludes that the potency of any dance must be fact-based on communally accepted truth on unaltered originality and essence, and not individualized ideology as mere identifying tools and entertaining amplifiers.

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Publication Details

Journal
International Journal of Current Research in the Humanities
Published
2025-04-21
DOI
https://doi.org/10.4314/ijcrh.v28i1.13
Primary Topic
Diversity and Impact of Dance
Type
article
Field-Weighted Citation Impact
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article

The cultural truth in drum dance festival of aboriginal people in Northwest Territories in Canada

Nicholas Chielotam Akas
International Journal of Current Research in the Humanities
Diversity and Impact of Dance
article

The cultural truth in drum dance festival of aboriginal people in Northwest Territories in Canada

Nicholas Chielotam Akas
article en

Abstract

Dance is one unique art whose cultural truth has been misinterpreted based on individualism, assumption, and scholarly perceptive thinking because of its major functionalities of identity and entertainment, thereby suppressing the core truth of originality and essence. Any dance's originality and essence make it culturally communicative, relevant, and diverse anywhere it is performed. The dance of any community tells its own story of who they are and how they emerged, but whether is generally acceptable by all and sundry becomes the sole purpose of this research using the drum dance of Aboriginal people in the Northwest Territories of Canada as a study. To justify claims or findings in this research, the study adopts the cultural consensus theory by Williams H. Batchelder (which states that people must communally understand and appreciate their culture with one tone before others would accept it). The study concludes that the potency of any dance must be fact-based on communally accepted truth on unaltered originality and essence, and not individualized ideology as mere identifying tools and entertaining amplifiers.

International Journal of Current Research in the HumanitiesVol. 28(1)
Government of Northwest Territories (CA)
Openalex Percentile: Top 92%
Diversity and Impact of Dance
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