The Classroom as a “Brave Space” in Jacqueline Woodson’s Harbor Me

In this essay, I utilize Robert Stepto’s “ritual ground” concept and Ray Oldenburg’s “third place” theory to analyze Jacqueline Woodson’s Harbor Me. I posit that Ms. Laverne repurposes an old art classroom as both a “third place” and a “ritual ground” for her students, and as a result, her students are empowered to create community and find their individual and collective voices.

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Publication Details

Journal
Humanities
Published
2025-04-24
DOI
https://doi.org/10.3390/h14050097
Citations
1
Primary Topic
South Asian Cinema and Culture
Type
article
Field-Weighted Citation Impact
26.93
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article

The Classroom as a “Brave Space” in Jacqueline Woodson’s Harbor Me

Wendy Rountree
1 citations
Humanities
South Asian Cinema and Culture
26.93
article

The Classroom as a “Brave Space” in Jacqueline Woodson’s Harbor Me

Wendy Rountree
article en
1 citations

Abstract

In this essay, I utilize Robert Stepto’s “ritual ground” concept and Ray Oldenburg’s “third place” theory to analyze Jacqueline Woodson’s Harbor Me. I posit that Ms. Laverne repurposes an old art classroom as both a “third place” and a “ritual ground” for her students, and as a result, her students are empowered to create community and find their individual and collective voices.

HumanitiesVol. 14(5)
Northern Arizona University (US)
Openalex Percentile: Top 2%
South Asian Cinema and Culture
26.93
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The Classroom as a “Brave Space” in Jacqueline Woodson’s Harbor Me — Wendy Rountree · Humanities (2025) | TGRS Research Map | TGRS