The Trans-Terminator: Glitch Feminism in We’re All Going to the World’s Fair (2021)

The film We’re All Going to the World’s Fair (2021) explores trans expression within an online environment. By comparing the film to the research of three gender theorists, motifs can be related to ideas such as the shimmer and glitch feminism. The film’s main character, Casey, is compared to the concept of the Terminator in how she defies the normative expressions of gender that created her within an online viral horror game. Later in the film, she encounters another online user who feels threatened by her gender expression, and how she can move freely in and out of the online space.

Authors

Publication Details

Journal
Film Matters
Published
2024-12-01
DOI
https://doi.org/10.1386/fm_00354_1
Primary Topic
Contemporary Literature and Criticism
Type
article
Field-Weighted Citation Impact
0.00
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article

The Trans-Terminator: Glitch Feminism in We’re All Going to the World’s Fair (2021)

Andrew Michael Roberts
Film Matters
Contemporary Literature and Criticism
article

The Trans-Terminator: Glitch Feminism in We’re All Going to the World’s Fair (2021)

Andrew Michael Roberts
article en

Abstract

The film We’re All Going to the World’s Fair (2021) explores trans expression within an online environment. By comparing the film to the research of three gender theorists, motifs can be related to ideas such as the shimmer and glitch feminism. The film’s main character, Casey, is compared to the concept of the Terminator in how she defies the normative expressions of gender that created her within an online viral horror game. Later in the film, she encounters another online user who feels threatened by her gender expression, and how she can move freely in and out of the online space.

Film MattersVol. 15(3)
Openalex Percentile: Top 55%
Contemporary Literature and Criticism
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The Trans-Terminator: Glitch Feminism in We’re All Going to the World’s Fair (2021) — Andrew Michael Roberts · Film Matters (2024) | TGRS Research Map | TGRS