Representation of Racial Discrimination Dialog Through Discourse Analysis in the Film Maleficent: Mistress of Evil (2019)

This study analyzes the representation of racial discrimination in the film Maleficent: Mistress of Evil (2019) through discourse analysis, focusing on how dialogues reflect systemic and everyday prejudices. The research employs a qualitative approach to examine instances of discrimination in the film’s narrative, particularly in the interactions between humans and the Fey. The findings reveal two primary forms of racial discrimination: chronic discrimination, which manifests through systemic oppression and historical marginalization, and daily discrimination, which appears in subtle prejudices and microaggressions. Queen Ingrith’s portrayal as a figure perpetuating anti-Fey sentiments underscores real-world parallels of racial bias, reinforcing stereotypes and societal divisions. The study highlights the film’s role in depicting discrimination as both a source of conflict and a reflection of broader societal tensions. By analysing these themes, this research contributes to discussions on racial representation in media and its implications for audiences’ perceptions of discrimination.

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Publication Details

Journal
Acceleration
Published
2025-02-28
DOI
https://doi.org/10.70210/amrj.v2i04.109
Primary Topic
Communication Studies and Media
Type
article
Field-Weighted Citation Impact
0.00
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article

Representation of Racial Discrimination Dialog Through Discourse Analysis in the Film Maleficent: Mistress of Evil (2019)

Rahmaditya Khadifa Abdul Rozzaq Wijaya, Arifah Salsabila
Acceleration
Communication Studies and Media
article

Representation of Racial Discrimination Dialog Through Discourse Analysis in the Film Maleficent: Mistress of Evil (2019)

Rahmaditya Khadifa Abdul Rozzaq Wijaya, Arifah Salsabila
article en

Abstract

This study analyzes the representation of racial discrimination in the film Maleficent: Mistress of Evil (2019) through discourse analysis, focusing on how dialogues reflect systemic and everyday prejudices. The research employs a qualitative approach to examine instances of discrimination in the film’s narrative, particularly in the interactions between humans and the Fey. The findings reveal two primary forms of racial discrimination: chronic discrimination, which manifests through systemic oppression and historical marginalization, and daily discrimination, which appears in subtle prejudices and microaggressions. Queen Ingrith’s portrayal as a figure perpetuating anti-Fey sentiments underscores real-world parallels of racial bias, reinforcing stereotypes and societal divisions. The study highlights the film’s role in depicting discrimination as both a source of conflict and a reflection of broader societal tensions. By analysing these themes, this research contributes to discussions on racial representation in media and its implications for audiences’ perceptions of discrimination.

AccelerationVol. 2(04)
Universitas Surakarta (ID)
Openalex Percentile: Top 91%
Communication Studies and Media
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