On Political Imperfection: The Duty of Feminist Characters in Zapatista Fiction

Abstract The relationship between Zapatismo and women’s liberation has sparked heated debates between academics and activists alike. Although the Zapatistas’ official communiqués have promoted gender parity, criticism has been aimed at Zapatista fiction for accentuating gender stereotypes and for contradictions regarding women’s rights. This article discusses the children’s books Habrá una vez (2016) and Hablar colores (2018), encountered during archival and ethnographic research in Zapatista territory, and examines how “Zapafiction” embraces contradiction as constructive revolutionary politics. The children’s books analyzed here depict ecofeminist characters, including Defensa Zapatista (an approximately eight-year-old schoolgirl), Gato-Perro (a cat-dog symbolizing nonbinary identities), a disabled horse, and Loa Otroa (embodying queer identities). Instead of solving contradictions, I argue that these characters reject the romanticization of progressive political movements while viewing Zapatismo as the venue for advancing dignity as a way of life ( jch’uleltik ). Through the concept of imperfect politics, Zapafiction leverages the principle of caminando y preguntando , “walking, we ask questions,” to reimagine the governing structures of the organization through fiction, moving beyond theoretical doctrines on how politics should be.

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Publication Details

Journal
Latin American Research Review
Published
2025-04-22
DOI
https://doi.org/10.1017/lar.2025.12
Primary Topic
Gender, Feminism, and Media
Type
article
Field-Weighted Citation Impact
0.00

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article

On Political Imperfection: The Duty of Feminist Characters in Zapatista Fiction

André de Oliveira Nascimento
Latin American Research Review
Gender, Feminism, and Media
article

On Political Imperfection: The Duty of Feminist Characters in Zapatista Fiction

André de Oliveira Nascimento
article en

Abstract

Abstract The relationship between Zapatismo and women’s liberation has sparked heated debates between academics and activists alike. Although the Zapatistas’ official communiqués have promoted gender parity, criticism has been aimed at Zapatista fiction for accentuating gender stereotypes and for contradictions regarding women’s rights. This article discusses the children’s books Habrá una vez (2016) and Hablar colores (2018), encountered during archival and ethnographic research in Zapatista territory, and examines how “Zapafiction” embraces contradiction as constructive revolutionary politics. The children’s books analyzed here depict ecofeminist characters, including Defensa Zapatista (an approximately eight-year-old schoolgirl), Gato-Perro (a cat-dog symbolizing nonbinary identities), a disabled horse, and Loa Otroa (embodying queer identities). Instead of solving contradictions, I argue that these characters reject the romanticization of progressive political movements while viewing Zapatismo as the venue for advancing dignity as a way of life ( jch’uleltik ). Through the concept of imperfect politics, Zapafiction leverages the principle of caminando y preguntando , “walking, we ask questions,” to reimagine the governing structures of the organization through fiction, moving beyond theoretical doctrines on how politics should be.

Latin American Research ReviewVol. 60(4)
Cornell University (US)
Mario Einaudi Center for International Studies
Openalex Percentile: Top 89%
Gender, Feminism, and Media
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