The Origins of Enargeia in Rhetorical and Poetic Theory

summary: The publication of Philodemus' On Poems: Book Two in 2020 has changed our understanding of enargeia (the "vivid" quality of writing that puts the subject "before the eyes"). We now can see that enargeia was already an important term of literary theory in the fourth century b.c.e., but also that Heraclides, Heracleodorus, Pausimachus, and Demetrius did not connect enargeia to the "before the eyes" formulation. This connection was made in the first century b.c.e. during the Aristotelian revival when enargeia was confused with Aristotle's word energeia ("activity"). Before the first century b.c.e., rhetorical enargeia meant what it meant more generally: not "vividness" but "clarity/obviousness."

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Publication Details

Journal
TAPA
Published
2025-03-01
DOI
https://doi.org/10.1353/apa.2025.a957879
Primary Topic
Classical Antiquity Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

The Origins of Enargeia in Rhetorical and Poetic Theory

Stephen E. Kidd
TAPA
Classical Antiquity Studies
article

The Origins of Enargeia in Rhetorical and Poetic Theory

Stephen E. Kidd
article en

Abstract

summary: The publication of Philodemus' On Poems: Book Two in 2020 has changed our understanding of enargeia (the "vivid" quality of writing that puts the subject "before the eyes"). We now can see that enargeia was already an important term of literary theory in the fourth century b.c.e., but also that Heraclides, Heracleodorus, Pausimachus, and Demetrius did not connect enargeia to the "before the eyes" formulation. This connection was made in the first century b.c.e. during the Aristotelian revival when enargeia was confused with Aristotle's word energeia ("activity"). Before the first century b.c.e., rhetorical enargeia meant what it meant more generally: not "vividness" but "clarity/obviousness."

TAPAVol. 155(1)
Openalex Percentile: Top 90%
Classical Antiquity Studies
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