Unveiling the Secret Chemistry of Street Art by a Multitechnique Approach

In recent years, graffiti and street art have gained recognition as legitimate art forms, deserving of the same care and attention as traditional art. As a result, conservators and restorers are now working to develop standardized guidelines for the cleaning, conservation, and restoration of these vibrant works. Our study takes a closer look at the materials used in street art, specifically the spray varnishes used by artists. Samples from two murals created in 2021 in Bari, Italy, are analyzed using a range of advanced techniques such as attenuated total reflection Fourier-transform infrared spectroscopy, reversed-phase liquid chromatography coupled with UV-Vis and electrospray ionization mass spectrometry (MS), and laser desorption ionization MS as well as pyrolysis-gas chromatography/MS. Acrylic, polyvinyl acetate, and styrene-acrylic resins are identified as the primary binders used in street art spray varnishes, along with common additives such as polyethylene and polypropylene glycol. The organic dyes and pigments, such as yellow (PY74), orange (PO36), red (rhodamine), and blue (phthalocyanine) hues used to create colorful images of street art, are also characterized. This study demonstrates the importance of a multitechnique approach in understanding the complex chemistry of modern spray varnishes used in street art.

Authors

Institutions

Publication Details

Journal
ChemPlusChem
Published
2025-04-22
DOI
https://doi.org/10.1002/cplu.202500059
Primary Topic
Cultural Heritage Materials Analysis
Type
article
Field-Weighted Citation Impact
0.00

Funders

Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

Unveiling the Secret Chemistry of Street Art by a Multitechnique Approach

Tommaso R. I. Cataldi, Silvia Pizzimenti, Jacopo La Nasa, Elena C.L. Rigante et al.
ChemPlusChem
Cultural Heritage Materials Analysis
article

Unveiling the Secret Chemistry of Street Art by a Multitechnique Approach

Tommaso R. I. Cataldi, Silvia Pizzimenti, Jacopo La Nasa, Elena C.L. Rigante, Francesca Modugno, Cosima Damiana Calvano
article en

Abstract

In recent years, graffiti and street art have gained recognition as legitimate art forms, deserving of the same care and attention as traditional art. As a result, conservators and restorers are now working to develop standardized guidelines for the cleaning, conservation, and restoration of these vibrant works. Our study takes a closer look at the materials used in street art, specifically the spray varnishes used by artists. Samples from two murals created in 2021 in Bari, Italy, are analyzed using a range of advanced techniques such as attenuated total reflection Fourier-transform infrared spectroscopy, reversed-phase liquid chromatography coupled with UV-Vis and electrospray ionization mass spectrometry (MS), and laser desorption ionization MS as well as pyrolysis-gas chromatography/MS. Acrylic, polyvinyl acetate, and styrene-acrylic resins are identified as the primary binders used in street art spray varnishes, along with common additives such as polyethylene and polypropylene glycol. The organic dyes and pigments, such as yellow (PY74), orange (PO36), red (rhodamine), and blue (phthalocyanine) hues used to create colorful images of street art, are also characterized. This study demonstrates the importance of a multitechnique approach in understanding the complex chemistry of modern spray varnishes used in street art.

ChemPlusChemVol. 90(7)
University of Pisa (IT), University of Bari Aldo Moro (IT)
Ministero dell’Istruzione, dell’Università e della Ricerca
Sustainable cities and communities
Openalex Percentile: Top 89%
Cultural Heritage Materials Analysis
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.