Spline-FRIDA: Towards Diverse, Humanlike Robot Painting Styles With a Sample-Efficient, Differentiable Brush Stroke Model
A painting is more than just a picture on a wall; a painting is a <italic xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink">process</i> comprised of many intentional brush strokes, the shapes of which are an important component of a painting's overall style and message. Prior work in modeling brush stroke trajectories either does not work with real-world robotics or is not flexible enough to capture the complexity of human-made brush strokes. In this work, we introduce Spline-FRIDA which can model complex human brush stroke trajectories. This is achieved by recording artists drawing using motion capture, modeling the extracted trajectories with an autoencoder, and introducing a novel brush stroke dynamics model to the existing robotic painting platform FRIDA. We conducted a survey and found that our open-source Spline-FRIDA approach successfully captures the stroke styles in human drawings and that Spline-FRIDA's brush strokes are more human-like, improve semantic planning, and are more artistic compared to existing robot painting systems with restrictive Bézier curve strokes.
Authors
- Lawrence R. Chen (ORCID: https://orcid.org/0000-0002-3760-4719)
- Jean Oh (ORCID: https://orcid.org/0000-0001-9709-2658)
- Tanmay Shankar
- Peter Schaldenbrand (ORCID: https://orcid.org/0000-0001-5296-6497)
- Lia Coleman
Institutions
- Carnegie Mellon University (US)
Publication Details
- Journal
- IEEE Robotics and Automation Letters
- Published
- 2025-04-21
- DOI
- https://doi.org/10.1109/lra.2025.3563131
- Citations
- 1
- Primary Topic
- 3D Shape Modeling and Analysis
- Type
- article
- Field-Weighted Citation Impact
- 1.33