<i>Per florida ad astra</i>

The eleventh-century manuscript Oxford, Bodleian Library, MS Bodley 38 is celebrated for its remarkable monastic horologium, or star timetable, which uses the stars to determine the timing of the Night Office liturgy. Recent scholarship has confirmed the long-held supposition that it was created for the Abbey of Saint-Benoît-sur-Loire, also known as Fleury. This article considers the six items of liturgical chant and chant embellishments that were copied by the same scribe immediately before the star timetable, probably also for Fleury. These have never been properly identified, nor studied as a group. Their elaborate testimony reveals new insights in three areas of scholarly interest: musical and liturgical creativity in early medieval Fleury, cultural connections between Catalonia and the Loire, and the creation of the star timetable itself. Previous studies that focus on the timetable’s utility are here challenged by evidence that the monks preferred a different method of nocturnal timekeeping, and by the finding that Fleury’s elaborate Night Office chants aligned the worship of Saint Benedict with the discipline of watching the night sky.

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Publication Details

Journal
Journal of Musicology
Published
2025-01-01
DOI
https://doi.org/10.1525/jm.2025.42.2.185
Primary Topic
Renaissance Literature and Culture
Type
article
Field-Weighted Citation Impact
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article

Per florida ad astra

Henry Parkes
Journal of Musicology
Renaissance Literature and Culture
article

Per florida ad astra

Henry Parkes
article en

Abstract

The eleventh-century manuscript Oxford, Bodleian Library, MS Bodley 38 is celebrated for its remarkable monastic horologium, or star timetable, which uses the stars to determine the timing of the Night Office liturgy. Recent scholarship has confirmed the long-held supposition that it was created for the Abbey of Saint-Benoît-sur-Loire, also known as Fleury. This article considers the six items of liturgical chant and chant embellishments that were copied by the same scribe immediately before the star timetable, probably also for Fleury. These have never been properly identified, nor studied as a group. Their elaborate testimony reveals new insights in three areas of scholarly interest: musical and liturgical creativity in early medieval Fleury, cultural connections between Catalonia and the Loire, and the creation of the star timetable itself. Previous studies that focus on the timetable’s utility are here challenged by evidence that the monks preferred a different method of nocturnal timekeeping, and by the finding that Fleury’s elaborate Night Office chants aligned the worship of Saint Benedict with the discipline of watching the night sky.

Journal of MusicologyVol. 42(2)
Openalex Percentile: Top 94%
Renaissance Literature and Culture
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