Overshadowing Masculinity: A feminist Reading of Afuh Margaret's Born before Her Time, Flowers in the Desert and Tala Julie Enjema's Daughters of Ekema

This paper articulates masculinity’s diminishing strength in Africa and highlights new women imaging within the interaction of time, cultural analysis and feminist discourse. It limits its search to the 1960s and 1970s socio/economic and political landscapes. Principally, it underlines the timid beginnings of misogyny and stresses on its gradual but steady growth. Guided by a study of Margaret Afuh's Born Before Time (2003) Flowers in the Desert (2009) and Julie Enjema Tala's Daughters of Ekema,(2012) the paper uncovers the female African’s pain under the intersection of patriarchy, culture and gender, and challenges the drawbacks by establishing alternative ways to the traditional orchestrated demeaning behaviours. In theoretical assessment, it uses womanism; an African feminist theory positioned by its theorists as a significant tool for Africa’s positive transformation. The essay premises that the mindset of the empowered African woman is geared towards developing the entire human society.

Authors

Publication Details

Journal
International Journal of English Literature and Social Sciences
Published
2025-01-01
DOI
https://doi.org/10.22161/ijels.102.39
Citations
1
Primary Topic
African history and culture studies
Type
article
Field-Weighted Citation Impact
11.35
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article

Overshadowing Masculinity: A feminist Reading of Afuh Margaret's Born before Her Time, Flowers in the Desert and Tala Julie Enjema's Daughters of Ekema

Nfon Rita Gola
1 citations
International Journal of English Literature and Social Sciences
African history and culture studies
11.35
article

Overshadowing Masculinity: A feminist Reading of Afuh Margaret's Born before Her Time, Flowers in the Desert and Tala Julie Enjema's Daughters of Ekema

Nfon Rita Gola
article en
1 citations

Abstract

This paper articulates masculinity’s diminishing strength in Africa and highlights new women imaging within the interaction of time, cultural analysis and feminist discourse. It limits its search to the 1960s and 1970s socio/economic and political landscapes. Principally, it underlines the timid beginnings of misogyny and stresses on its gradual but steady growth. Guided by a study of Margaret Afuh's Born Before Time (2003) Flowers in the Desert (2009) and Julie Enjema Tala's Daughters of Ekema,(2012) the paper uncovers the female African’s pain under the intersection of patriarchy, culture and gender, and challenges the drawbacks by establishing alternative ways to the traditional orchestrated demeaning behaviours. In theoretical assessment, it uses womanism; an African feminist theory positioned by its theorists as a significant tool for Africa’s positive transformation. The essay premises that the mindset of the empowered African woman is geared towards developing the entire human society.

International Journal of English Literature and Social SciencesVol. 10(2)
Openalex Percentile: Top 3%
African history and culture studies
11.35
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