Generational Struggle: Postwar Korean Views of Anti-colonial Violence in Minshu Chōsen and Hinawajū no uta

Considering a variety of historical incidents, this study examines how liberated Koreans living in postwar Japan wrote about resistance movements of the colonial period. I argue that as part of the mission to develop a new founding mythos for the modern Korean nation (envisioned as a single unified state) several of these authors focused on establishing the necessity for violent anti-Japanese resistance, valorizing the historical incidents of it, and tying these acts to the development of Marxist political consciousness. By juxtaposing the agitprop editorials of a Korean centered postwar magazine, ‘Democratic Korea’ (Minshu Chōsen, 1946-1950), with Ho Nam-gi’s 1951 epic poem The Song of the Musket (Hinawajū no uta), I connect the efforts of political activists with the budding movement of Korean cultural workers using the Japanese language as a medium. In both cases, Koreans voiced their anti-colonial critique directly to the former colonizer and situated Korean resistance movements within a broader and ennobled historical context.

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Publication Details

Journal
Japanese Language and Literature
Published
2025-04-19
DOI
https://doi.org/10.5195/jll.2025.384
Primary Topic
Japanese History and Culture
Type
article
Field-Weighted Citation Impact
0.00
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article

Generational Struggle: Postwar Korean Views of Anti-colonial Violence in Minshu Chōsen and Hinawajū no uta

Robert Joseph Del Greco
Japanese Language and Literature
Japanese History and Culture
article

Generational Struggle: Postwar Korean Views of Anti-colonial Violence in Minshu Chōsen and Hinawajū no uta

Robert Joseph Del Greco
article en

Abstract

Considering a variety of historical incidents, this study examines how liberated Koreans living in postwar Japan wrote about resistance movements of the colonial period. I argue that as part of the mission to develop a new founding mythos for the modern Korean nation (envisioned as a single unified state) several of these authors focused on establishing the necessity for violent anti-Japanese resistance, valorizing the historical incidents of it, and tying these acts to the development of Marxist political consciousness. By juxtaposing the agitprop editorials of a Korean centered postwar magazine, ‘Democratic Korea’ (Minshu Chōsen, 1946-1950), with Ho Nam-gi’s 1951 epic poem The Song of the Musket (Hinawajū no uta), I connect the efforts of political activists with the budding movement of Korean cultural workers using the Japanese language as a medium. In both cases, Koreans voiced their anti-colonial critique directly to the former colonizer and situated Korean resistance movements within a broader and ennobled historical context.

Japanese Language and LiteratureVol. 59(1)
Oakland University (US)
Openalex Percentile: Top 91%
Japanese History and Culture
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