The Intersectionality of Gender and Slavery: Paul’s Social Creativity within an Unchangeable System

Roman statuary of colonized peoples depicted as personified and feminized figures indicates that slavery was backed by the military might of Rome and thus was an unchangeable system. The reality that many slaves were conquered peoples justifies reading Paul’s exhortation to ‘remain as you are’ in 1 Cor. 7.17–24 in light of both the intersection of gender and slavery for women slaves subject to the sexual whims of male masters and their double marginalization by imperial propaganda. Given the impossibility of changing the slavery system, Paul sketches an ideological resistance when he portrays Christ as the ultimate Master but one who first suffered and died as a slave, that is, as one with no bodily autonomy. Thus Paul practices social creativity by offering a Christocentric counternarrative that provides the ideological basis for equality among Jesus-followers even though social inequity outside the communities remains an unavoidable reality.

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Publication Details

Journal
Journal for the Study of the New Testament
Published
2025-04-18
DOI
https://doi.org/10.1177/0142064x241313487
Primary Topic
Theological Perspectives and Practices
Type
article
Field-Weighted Citation Impact
0.00
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article

The Intersectionality of Gender and Slavery: Paul’s Social Creativity within an Unchangeable System

Darlene M. Seal
Journal for the Study of the New Testament
Theological Perspectives and Practices
article

The Intersectionality of Gender and Slavery: Paul’s Social Creativity within an Unchangeable System

Darlene M. Seal
article en

Abstract

Roman statuary of colonized peoples depicted as personified and feminized figures indicates that slavery was backed by the military might of Rome and thus was an unchangeable system. The reality that many slaves were conquered peoples justifies reading Paul’s exhortation to ‘remain as you are’ in 1 Cor. 7.17–24 in light of both the intersection of gender and slavery for women slaves subject to the sexual whims of male masters and their double marginalization by imperial propaganda. Given the impossibility of changing the slavery system, Paul sketches an ideological resistance when he portrays Christ as the ultimate Master but one who first suffered and died as a slave, that is, as one with no bodily autonomy. Thus Paul practices social creativity by offering a Christocentric counternarrative that provides the ideological basis for equality among Jesus-followers even though social inequity outside the communities remains an unavoidable reality.

Journal for the Study of the New TestamentVol. 48(1)
Denver Seminary (US)
Openalex Percentile: Top 90%
Theological Perspectives and Practices
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