Why Record Shops Matter Aesthetically: A Case Study in Aesthetic Institutions

Abstract After nearly being killed off by CDs in the 1980s and 1990s, and despite the rise of streaming services like Spotify, vinyl records have had a major resurgence this century. Although nearly half of all records are purchased from online retailers and big-box stores, roughly half are bought at independent record shops, even though they are typically more expensive there. We believe one major reason for this is that record shops offer us aesthetic rewards that online retailers and megastores do not. In this paper, we will examine the aesthetic value of record shops. Skeptics may think that their value owes largely to the music they sell, the nostalgia they can induce, or the social status they can confer. While we agree that these values play some role in explaining contemporary interest in record shops, we argue that they are valuable for a number of other distinctively aesthetic reasons. First, record shops function as aesthetic institutions that are objects of appreciation in their own right. Second, record shops afford worthwhile participatory experiences of an aesthetic nature. Finally, the experiences that one has at record shops may ultimately enhance one’s appreciation of the music one listens to at home.