Fashion, Autonomy, and Kant’s Notion of Duty

Abstract In order to discern how the modern subject acquires a moral disposition, which is indispensable to the Kantian transition [ Übergang ] from nature to freedom and morality, this article highlights the difference between a predisposition to a mere blind imitation and a disposition to imitating others in the name of X. It is through the process of abstraction that mere social mimicry transforms into pursuing X for X’s sake alone, which further develops into adopting duty for duty’s sake. Succinctly put, following X for the sake of X alone at the stage of culture prepares the modern subject to conform to what is considered to be virtuous in a given society. This article further elaborates on that argument by probing fashion not just as an object of sensibility but as a manifestation of social phenomena that are occasioned by the autonomous will to follow what is in fashion and by uncovering that the pursuit of fashion for fashion’s sake alone has a strong bearing on increasing the strength of will to autonomously perform a duty of virtue.

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Publication Details

Journal
Topoi
Published
2025-04-18
DOI
https://doi.org/10.1007/s11245-025-10174-8
Primary Topic
Philosophical Ethics and Theory
Type
article
Field-Weighted Citation Impact
0.00

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article

Fashion, Autonomy, and Kant’s Notion of Duty

Eun Jung Kang
Topoi
Philosophical Ethics and Theory
article

Fashion, Autonomy, and Kant’s Notion of Duty

Eun Jung Kang
article en

Abstract

Abstract In order to discern how the modern subject acquires a moral disposition, which is indispensable to the Kantian transition [ Übergang ] from nature to freedom and morality, this article highlights the difference between a predisposition to a mere blind imitation and a disposition to imitating others in the name of X. It is through the process of abstraction that mere social mimicry transforms into pursuing X for X’s sake alone, which further develops into adopting duty for duty’s sake. Succinctly put, following X for the sake of X alone at the stage of culture prepares the modern subject to conform to what is considered to be virtuous in a given society. This article further elaborates on that argument by probing fashion not just as an object of sensibility but as a manifestation of social phenomena that are occasioned by the autonomous will to follow what is in fashion and by uncovering that the pursuit of fashion for fashion’s sake alone has a strong bearing on increasing the strength of will to autonomously perform a duty of virtue.

TopoiVol. 45(1)
Sungkyunkwan University (KR)
National Research Foundation, Sungkyunkwan University, Ministry of Education, National Research Foundation of Korea
Openalex Percentile: Top 91%
Philosophical Ethics and Theory
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