The Art of Laughter: Exploring Humor in Warkop DKI Reborn

The art of humor often leaves a lasting impression, especially when it connects to joyful memories. Nostalgia refers to a longing for the past, often tied to moments of laughter and happiness. This study analyzes Warkop DKI Reborn: Jangkrik Boss Part 1 as a modern reflection of nostalgia for the original Warkop DKI films, focusing on the humor that defined the series. The study also examines YouTube comments to understand how audiences perceive the film's humor. A qualitative approach is used, with data from Warkop DKI - Chips (1982) Full Movie on the @LetsuGauki YouTube channel and WARKOP DKI Reborn | Jangkrik Boss Part 1 | Kalau Mau Dosa Sekalian Banyak, uploaded by Falcon YouTube. The analysis draws on the theories of Nostalgia for the Present from Salmose (2019), Mise en Scene from Manon de Reeper (2016), and Media Studies from Ott (2014). The findings indicate that the characters, costumes, humor, and settings in both the original and reborn films evoke a deep sense of nostalgia among Indonesians, demonstrating how the art of humor continues to bridge generations and maintain cultural relevance.

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Publication Details

Journal
International Journal of Culture and Art Studies
Published
2025-04-17
DOI
https://doi.org/10.32734/ijcas.v9i1.20259
Primary Topic
Linguistics and Language Analysis
Type
article
Field-Weighted Citation Impact
0.00

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article

The Art of Laughter: Exploring Humor in Warkop DKI Reborn

Lambok Hermanto Sihombing
International Journal of Culture and Art Studies
Linguistics and Language Analysis
article

The Art of Laughter: Exploring Humor in Warkop DKI Reborn

Lambok Hermanto Sihombing
article en

Abstract

The art of humor often leaves a lasting impression, especially when it connects to joyful memories. Nostalgia refers to a longing for the past, often tied to moments of laughter and happiness. This study analyzes Warkop DKI Reborn: Jangkrik Boss Part 1 as a modern reflection of nostalgia for the original Warkop DKI films, focusing on the humor that defined the series. The study also examines YouTube comments to understand how audiences perceive the film's humor. A qualitative approach is used, with data from Warkop DKI - Chips (1982) Full Movie on the @LetsuGauki YouTube channel and WARKOP DKI Reborn | Jangkrik Boss Part 1 | Kalau Mau Dosa Sekalian Banyak, uploaded by Falcon YouTube. The analysis draws on the theories of Nostalgia for the Present from Salmose (2019), Mise en Scene from Manon de Reeper (2016), and Media Studies from Ott (2014). The findings indicate that the characters, costumes, humor, and settings in both the original and reborn films evoke a deep sense of nostalgia among Indonesians, demonstrating how the art of humor continues to bridge generations and maintain cultural relevance.

International Journal of Culture and Art StudiesVol. 9(1)
Flinders University (AU)
Flinders University
Openalex Percentile: Top 90%
Linguistics and Language Analysis
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