Snake and Moon ‘Right Way Marriage’ Stories on Stone and Bark

ABSTRACT In northwest Australia, boab trees hold significant cultural values for First Nations people. Their leaves, bark, roots and nuts are important as traditional resources for food, medicine, fibre, water and shade and serve as reference points in the landscape. Some of the tree trunks are inscribed with images and symbols which tell of events and narratives that took place during the time when the landscape was created. One boab tree, at Karunjie Station on Nyaliga Country in the Kimberley, is carved with images of a black‐headed python and the moon which are associated with a narrative that is a reminder of cultural law about forbidden love. This narrative is widely related across the central and eastern Kimberley and provides a means of selecting marriage partners over a culturally diverse landscape. On Karunjie Station images associated with this narrative are also painted on two rock shelter walls suggesting the importance of maintaining marriage laws at this location. Adhering to these laws may have been particularly important when European and other foreign colonists disrupted the economy as they appropriated First Nations peoples’ land. Carvings on the Karunjie boab tree demonstrates another way in which First Nations people incorporate boab trees into their culture.

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Publication Details

Journal
Archaeology in Oceania/Archæology & physical anthropology in Oceania
Published
2025-04-16
DOI
https://doi.org/10.1002/arco.5350
Primary Topic
Archaeology and Rock Art Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

Snake and Moon ‘Right Way Marriage’ Stories on Stone and Bark

Melissa Marshall, Jane Balme, William Andrews, Sue O’Connor et al.
Archaeology in Oceania/Archæology & physical anthropology in Oceania
Archaeology and Rock Art Studies
article

Snake and Moon ‘Right Way Marriage’ Stories on Stone and Bark

Melissa Marshall, Jane Balme, William Andrews, Sue O’Connor, Donald Campbell, Ursula Frederick, Gordon E. Smith, Arnold Sahanna
article en

Abstract

ABSTRACT In northwest Australia, boab trees hold significant cultural values for First Nations people. Their leaves, bark, roots and nuts are important as traditional resources for food, medicine, fibre, water and shade and serve as reference points in the landscape. Some of the tree trunks are inscribed with images and symbols which tell of events and narratives that took place during the time when the landscape was created. One boab tree, at Karunjie Station on Nyaliga Country in the Kimberley, is carved with images of a black‐headed python and the moon which are associated with a narrative that is a reminder of cultural law about forbidden love. This narrative is widely related across the central and eastern Kimberley and provides a means of selecting marriage partners over a culturally diverse landscape. On Karunjie Station images associated with this narrative are also painted on two rock shelter walls suggesting the importance of maintaining marriage laws at this location. Adhering to these laws may have been particularly important when European and other foreign colonists disrupted the economy as they appropriated First Nations peoples’ land. Carvings on the Karunjie boab tree demonstrates another way in which First Nations people incorporate boab trees into their culture.

Archaeology in Oceania/Archæology & physical anthropology in OceaniaVol. 60(2)
Australian National University (AU), The University of Western Australia (AU), University of Canberra (AU), Tharawal Aboriginal (AU), Centre for Australian National Biodiversity Research (AU), The University of Notre Dame Australia (AU)
Openalex Percentile: Top 93%
Archaeology and Rock Art Studies
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Snake and Moon ‘Right Way Marriage’ Stories on Stone and Bark — Melissa Marshall, Jane Balme, et al. · Archaeology in Oceania/Archæology & physical anthropology in Oceania (2025) | TGRS Research Map | TGRS