Introduction: The (Im)material Spectrum of Manuscript and Print Interaction <sup>☆</sup>

Abstract This introductory essay to the special issue on Early Modern English Textual Cultures Between Manuscript and Print first outlines previous research into different kinds of interaction between manuscript and print. Examples of this interplay include, for instance, the transmission of text and images from one medium into another, the use of manuscript and print sources in the creation of new texts, works and codices, and readers annotating and copying printed sources by hand. We suggest that it is fruitful to consider both material and immaterial aspects of book production when investigating manuscript–print interactions. For instance, scribes copying printed sources may have prioritized the immaterial work being copied or imitated the material features of their exemplar. In our view, the material and the immaterial are intertwined throughout the process of book production. We conclude the introduction by briefly outlining the seven essays in the collection, which address various types of interaction between manuscript and print.

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Publication Details

Journal
Renaissance Studies
Published
2025-04-17
DOI
https://doi.org/10.1111/rest.12990
Primary Topic
Digital Humanities and Scholarship
Type
article
Field-Weighted Citation Impact
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article

Introduction: The (Im)material Spectrum of Manuscript and Print Interaction ☆

Sara Norja, Mari‐Liisa Varila
Renaissance Studies
Digital Humanities and Scholarship
article

Introduction: The (Im)material Spectrum of Manuscript and Print Interaction ☆

Sara Norja, Mari‐Liisa Varila
article en

Abstract

Abstract This introductory essay to the special issue on Early Modern English Textual Cultures Between Manuscript and Print first outlines previous research into different kinds of interaction between manuscript and print. Examples of this interplay include, for instance, the transmission of text and images from one medium into another, the use of manuscript and print sources in the creation of new texts, works and codices, and readers annotating and copying printed sources by hand. We suggest that it is fruitful to consider both material and immaterial aspects of book production when investigating manuscript–print interactions. For instance, scribes copying printed sources may have prioritized the immaterial work being copied or imitated the material features of their exemplar. In our view, the material and the immaterial are intertwined throughout the process of book production. We conclude the introduction by briefly outlining the seven essays in the collection, which address various types of interaction between manuscript and print.

Renaissance StudiesVol. 40(2)
University of Turku (FI)
Openalex Percentile: Top 92%
Digital Humanities and Scholarship
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