Inhabiting the Uninhabitable: HIV Criminalization and Black Resistance

ABSTRACT: "Decriminalizing the Status Symbol," a two-sided letterpress poster by charles ryan long and Christopher Paul Jordan, calls for action against HIV nondisclosure laws. One side references the Fugitive Slave Laws of the 1850s, while the other features a bold × symbol. Emerging from their collaboration, Jordan's memorial andimgonnamisseverybody in Seattle consists of towering metal boxes arranged in the shape of a ×, honoring Black queer communities impacted by HIV/AIDS. Both works employ the × symbol, which subverts the concept of HIV positivity and draws on West African spiritual symbolism. This essay argues that long and Jordan confront the ways HIV criminalization, prevention, and the erasure of Blackness in the cultural record of AIDS are rooted in anti-Blackness. Their projects challenge traditional AIDS historiography, reinvigorating the timeline of the disease by emphasizing Black history and tradition. They expose HIV/AIDS as a political process that mirrors historical efforts to restrict the well-being of Black communities. The × project creates a platform for imagining a world where HIV is neither stigmatized nor criminalized, offering new perspectives on its history, prevention, and legislation.

Authors

Publication Details

Journal
ASAP/journal
Published
2024-09-01
DOI
https://doi.org/10.1353/asa.2024.a957248
Primary Topic
African Sexualities and LGBTQ+ Issues
Type
article
Field-Weighted Citation Impact
0.00
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article

Inhabiting the Uninhabitable: HIV Criminalization and Black Resistance

Ivan Bujan
ASAP/journal
African Sexualities and LGBTQ+ Issues
article

Inhabiting the Uninhabitable: HIV Criminalization and Black Resistance

Ivan Bujan
article en

Abstract

ABSTRACT: "Decriminalizing the Status Symbol," a two-sided letterpress poster by charles ryan long and Christopher Paul Jordan, calls for action against HIV nondisclosure laws. One side references the Fugitive Slave Laws of the 1850s, while the other features a bold × symbol. Emerging from their collaboration, Jordan's memorial andimgonnamisseverybody in Seattle consists of towering metal boxes arranged in the shape of a ×, honoring Black queer communities impacted by HIV/AIDS. Both works employ the × symbol, which subverts the concept of HIV positivity and draws on West African spiritual symbolism. This essay argues that long and Jordan confront the ways HIV criminalization, prevention, and the erasure of Blackness in the cultural record of AIDS are rooted in anti-Blackness. Their projects challenge traditional AIDS historiography, reinvigorating the timeline of the disease by emphasizing Black history and tradition. They expose HIV/AIDS as a political process that mirrors historical efforts to restrict the well-being of Black communities. The × project creates a platform for imagining a world where HIV is neither stigmatized nor criminalized, offering new perspectives on its history, prevention, and legislation.

ASAP/journalVol. 9(3)
Openalex Percentile: Top 53%
African Sexualities and LGBTQ+ Issues
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