An Initial Study of the Effects of Perceived Composer Identity on Ratings of Ensemble Performance and Musical Authenticity

The purpose of this study was to examine the effects of perceived composer identity on inservice band directors’ perceptions of ensemble performance and music authenticity. Four music excerpts were retitled to represent the culture and music heard in the recordings. Each excerpt was assigned two fictitious composer names—one matching the target culture represented in the piece, and another with a common American/English name. In addition, each music piece was paired with two photos of separate males: one matching the presumed cultural origin of the music and another depicting a White man. Participants ( N = 77) evaluated the ensemble performance and musical authenticity of the excerpts. We found no significant differences between conditions. Participants’ free-response comments reflected opinions that when selecting band literature, concerns for cultural authenticity should be contextualized within judgments of pedagogical appropriateness and assessments of overall musical quality.

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Publication Details

Journal
Update Applications of Research in Music Education
Published
2025-04-16
DOI
https://doi.org/10.1177/87551233251332605
Primary Topic
Diverse Music Education Insights
Type
article
Field-Weighted Citation Impact
0.00
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article

An Initial Study of the Effects of Perceived Composer Identity on Ratings of Ensemble Performance and Musical Authenticity

Naomi Reed, Brian A. Silvey, Mark Montemayor, Emily Stokes
Update Applications of Research in Music Education
Diverse Music Education Insights
article

An Initial Study of the Effects of Perceived Composer Identity on Ratings of Ensemble Performance and Musical Authenticity

Naomi Reed, Brian A. Silvey, Mark Montemayor, Emily Stokes
article en

Abstract

The purpose of this study was to examine the effects of perceived composer identity on inservice band directors’ perceptions of ensemble performance and music authenticity. Four music excerpts were retitled to represent the culture and music heard in the recordings. Each excerpt was assigned two fictitious composer names—one matching the target culture represented in the piece, and another with a common American/English name. In addition, each music piece was paired with two photos of separate males: one matching the presumed cultural origin of the music and another depicting a White man. Participants ( N = 77) evaluated the ensemble performance and musical authenticity of the excerpts. We found no significant differences between conditions. Participants’ free-response comments reflected opinions that when selecting band literature, concerns for cultural authenticity should be contextualized within judgments of pedagogical appropriateness and assessments of overall musical quality.

Update Applications of Research in Music EducationVol. 44(2)
University of North Texas (US), University of Missouri (US)
Openalex Percentile: Top 92%
Diverse Music Education Insights
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