‘A flag of deceit’: the American Indian Movement’s subversive use of the Stars and Stripes as a protest tool

This article documents the American Indian Movement’s (AIM) subversive display of the American flag between 1970 and 1973. Analysing AIM’s flag deployment in Plymouth, Massachusetts; Gordon, Nebraska; Washington D.C.; and Wounded Knee; it is shown how AIM subversively appropriated the American flag in a variety of ways. AIM’s creation of spectacle; their critical engagement with the American national character; and their play with flag height, power, and territoriality are all shown to be illustrative of the organisation’s keen awareness of flag semiotics. Whilst centring aesthetics as an oft-forgotten component of Red Power protest, this article situates flag play as a common thread interweaving much of the American Indian Movement’s major activism. Although the American flag has typically been understood by Native Americans as a symbol of historical and ongoing oppression, such technologies of oppression can double as subversive, reinvented tools of protest, both harnessing and redirecting their original power.

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Publication Details

Journal
Settler Colonial Studies
Published
2025-04-16
DOI
https://doi.org/10.1080/2201473x.2025.2491217
Citations
1
Primary Topic
Asian American and Pacific Histories
Type
article
Field-Weighted Citation Impact
16.49
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article

‘A flag of deceit’: the American Indian Movement’s subversive use of the Stars and Stripes as a protest tool

M. M. Parker
1 citations
Settler Colonial Studies
Asian American and Pacific Histories
16.49
article

‘A flag of deceit’: the American Indian Movement’s subversive use of the Stars and Stripes as a protest tool

M. M. Parker
article en
1 citations

Abstract

This article documents the American Indian Movement’s (AIM) subversive display of the American flag between 1970 and 1973. Analysing AIM’s flag deployment in Plymouth, Massachusetts; Gordon, Nebraska; Washington D.C.; and Wounded Knee; it is shown how AIM subversively appropriated the American flag in a variety of ways. AIM’s creation of spectacle; their critical engagement with the American national character; and their play with flag height, power, and territoriality are all shown to be illustrative of the organisation’s keen awareness of flag semiotics. Whilst centring aesthetics as an oft-forgotten component of Red Power protest, this article situates flag play as a common thread interweaving much of the American Indian Movement’s major activism. Although the American flag has typically been understood by Native Americans as a symbol of historical and ongoing oppression, such technologies of oppression can double as subversive, reinvented tools of protest, both harnessing and redirecting their original power.

Settler Colonial StudiesVol. 16(1)
University of Kent (GB)
Reduced inequalities
Openalex Percentile: Top 3%
Asian American and Pacific Histories
16.49
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