Exploratory worldbuilding: bottom-up strategy and continuity in <i>Ejen Ali</i> transmedia narrative development

This study investigates the Ejen Ali franchise, a popular Malaysian animation brand that began with a TV series first broadcast in 2016 and has since garnered a significant following. The franchise expanded into a feature film, which premiered in 2019. In addition to the TV series and film, Ejen Ali exists across various media forms, including comic novels, mobile games, and trading card games. By leveraging transmedia storytelling, Wau Animation (the producer) has built a complex and immersive narrative world for Ejen Ali, attracting diverse audiences and fostering engagement in television, films, comics, and games. Through in-depth interviews with 15 key members of the production team, including directors and writers, this research explores the strategic process behind worldbuilding directly from its primary creators. This research uncovers that Wau Animation approaches worldbuilding through exploratory method, using a bottom-up strategy and ensuring continuity in storytelling across media.

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Publication Details

Journal
Media International Australia
Published
2025-04-15
DOI
https://doi.org/10.1177/1329878x251333803
Primary Topic
Communication Studies and Media
Type
article
Field-Weighted Citation Impact
0.00
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article

Exploratory worldbuilding: bottom-up strategy and continuity in Ejen Ali transmedia narrative development

Umar Hakim Mohd Hasri, Md Azalanshah Md Syed
Media International Australia
Communication Studies and Media
article

Exploratory worldbuilding: bottom-up strategy and continuity in Ejen Ali transmedia narrative development

Umar Hakim Mohd Hasri, Md Azalanshah Md Syed
article en

Abstract

This study investigates the Ejen Ali franchise, a popular Malaysian animation brand that began with a TV series first broadcast in 2016 and has since garnered a significant following. The franchise expanded into a feature film, which premiered in 2019. In addition to the TV series and film, Ejen Ali exists across various media forms, including comic novels, mobile games, and trading card games. By leveraging transmedia storytelling, Wau Animation (the producer) has built a complex and immersive narrative world for Ejen Ali, attracting diverse audiences and fostering engagement in television, films, comics, and games. Through in-depth interviews with 15 key members of the production team, including directors and writers, this research explores the strategic process behind worldbuilding directly from its primary creators. This research uncovers that Wau Animation approaches worldbuilding through exploratory method, using a bottom-up strategy and ensuring continuity in storytelling across media.

Media International Australia
University of Malaya (MY)
Openalex Percentile: Top 91%
Communication Studies and Media
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