Images as Portable Objects in the Historian's Toolkit

The image on the cover of this issue of Technology and Culture features an early modern Indian textile, popularly known as "chintz" in the Western world. The image depicts stylized flowers surrounded by curving leaves on meandering branches-a colourful artisanal rendition of imaginative flora on a utilitarian object. This essay argues that material objects, such as this chintz, contain embedded knowledge necessary for understanding techniques used in their production and for replicating these objects in new contexts. It further contends that magnified images of historical objects serve as movable microscopic pieces of the objects, enabling detailed visual examinations often not possible with the objects themselves. By foregrounding the use of objects as historical sources, the essay demonstrates the value of incorporating images as essential resources in the historian's research methodology.

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Publication Details

Journal
Technology and Culture
Published
2025-04-01
DOI
https://doi.org/10.1353/tech.2025.a956846
Primary Topic
Colonial History and Postcolonial Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

Images as Portable Objects in the Historian's Toolkit

Aravindh Raman
Technology and Culture
Colonial History and Postcolonial Studies
article

Images as Portable Objects in the Historian's Toolkit

Aravindh Raman
article en

Abstract

The image on the cover of this issue of Technology and Culture features an early modern Indian textile, popularly known as "chintz" in the Western world. The image depicts stylized flowers surrounded by curving leaves on meandering branches-a colourful artisanal rendition of imaginative flora on a utilitarian object. This essay argues that material objects, such as this chintz, contain embedded knowledge necessary for understanding techniques used in their production and for replicating these objects in new contexts. It further contends that magnified images of historical objects serve as movable microscopic pieces of the objects, enabling detailed visual examinations often not possible with the objects themselves. By foregrounding the use of objects as historical sources, the essay demonstrates the value of incorporating images as essential resources in the historian's research methodology.

Technology and CultureVol. 66(2)
Openalex Percentile: Top 90%
Colonial History and Postcolonial Studies
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