Girls of the Future: Queer Community in Olive Schreiner and Amy Levy

Despite their overlapping fin de siècle New Woman communities in London and their correspondence, few scholars have compared the literary works of South African writer Olive Schreiner and Jewish author Amy Levy directly. Reading allegories from Schreiner's first collection, Dreams (1890), in relation to two of Levy's early verse works, “Xantippe” (1881) and Medea (1884), I argue that they both imagine new futures for queer community as an alternative to the oppressive status quo of imperialist England. This paper suggests that Schreiner and Levy, feminist writers with fraught relationships to Englishness, can best be understood as members of a rich community of late Victorian visionaries. When they turn their attention to the forms of allegory and dramatic monologue, Schreiner and Levy are able to explore radical possibilities for gender and community that did not exist in their real lives or their realist fiction. Schreiner and Levy share a deep skepticism about the benefits of marriage, family, and other conventional sources of community, and both offer queer visions of suspended present states or undetermined futures as alternatives.