Resurrecting rebels left ‘dead on the page’: (auto)biography as adaptation and the lingering legacy of didactic American political fiction in Chris Bachelder’s <i>U.S.!</i>

Abstract Chris Bachelder’s 2006 political satire U.S.! re-examines contemporary American political literature by adapting the author Upton Sinclair as a biographical text. The fictional Sinclair emerges as a deceased man alive via resurrection, a man who continuously fails at political advocacy. Yet, the novel also recognizes his status as a lingering past, a biography in need of adaptation to connect with the concerns of the present day. In this article, I explore the context of the undead Sinclair as a faded biographical narrative, one decaying and rejected primarily because Sinclair and the political literature he represents have been unable to adapt to twenty-first-century concerns; likewise, I argue that Bachelder, despite his concerns for sincere political engagement via contemporary American literature, demonstrates the potential for such engagement through a brief adaptation with an autobiographical frame—a simultaneous engagement with John Dos Passos’s narratives as a fragment within U.S.!’s larger narrative.

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Publication Details

Journal
Adaptation
Published
2025-04-12
DOI
https://doi.org/10.1093/adaptation/apaf005
Primary Topic
Literature, Film, and Journalism Analysis
Type
article
Field-Weighted Citation Impact
0.00
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article

Resurrecting rebels left ‘dead on the page’: (auto)biography as adaptation and the lingering legacy of didactic American political fiction in Chris Bachelder’s U.S.!

Kathryn J McClain
Adaptation
Literature, Film, and Journalism Analysis
article

Resurrecting rebels left ‘dead on the page’: (auto)biography as adaptation and the lingering legacy of didactic American political fiction in Chris Bachelder’s U.S.!

Kathryn J McClain
article en

Abstract

Abstract Chris Bachelder’s 2006 political satire U.S.! re-examines contemporary American political literature by adapting the author Upton Sinclair as a biographical text. The fictional Sinclair emerges as a deceased man alive via resurrection, a man who continuously fails at political advocacy. Yet, the novel also recognizes his status as a lingering past, a biography in need of adaptation to connect with the concerns of the present day. In this article, I explore the context of the undead Sinclair as a faded biographical narrative, one decaying and rejected primarily because Sinclair and the political literature he represents have been unable to adapt to twenty-first-century concerns; likewise, I argue that Bachelder, despite his concerns for sincere political engagement via contemporary American literature, demonstrates the potential for such engagement through a brief adaptation with an autobiographical frame—a simultaneous engagement with John Dos Passos’s narratives as a fragment within U.S.!’s larger narrative.

AdaptationVol. 18(2)
Colorado Mesa University (US)
Openalex Percentile: Top 93%
Literature, Film, and Journalism Analysis
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