Index for Volume 48 (2024–25)

Audissino, Emilio—Canonizing John Williams 76Cachopo, João Pedro—Destinies of Manon 29Contributors 111, 198Dreyfus, Emily Allegra—Wagner, Canned 39Fuchs, Maria—Scoring Heimat 53Hoeckner, Berthold—Editor’s Note 115Hoeckner, Berthold—Korngold’s Hollywood Homecomings 5Hoeckner, Berthold and Emily Allegra Dreyfus—Introduction 3Hubbert, Julie—Auteurism in Tár 98Kramer, Lawrence—Viewpoint: Beyond Musicology: Music and Humanistic Knowledge 190Reed, Jacob—Kant, Coleridge, and the “Moonlight” Sonata: Imagination, Fantasy, and Fantasies in Beethoven’s Time 116Sabbatini, Tommaso—Louise: Wagnerism, Realism, Stage, Screen 19Shyr, Emily—Doubled Figures, Doubled Infinities: Der Mönch, “Der Leiermann,” and the Kantian Mathematical Sublime 140Smolkin, Kirill—Swan Lake Horror 66Swanson, Cole D.—Tarantino’s Auteurist Anachronisms 86Wheeldon, Marianne—Class, Courtship, and habitus clivé: Debussy’s mélodies and the Politics of Social Mobility 162