The poetics of sexual violence in three African-American women’s neo-slave narratives: Margaret Walker’s <i>Jubilee</i>, Octavia E. Butler’s <i>Kindred</i> and Toni Morrison’s <i>Beloved</i>

Abstract This paper focuses on the representation of sexual violence in the neo-slave narratives of Margaret Walker, Octavia E. Butler and Toni Morrison. Through an exploration of mind-modelling in three key scenes, a range of linguistic techniques are employed to elucidate the psychological component of such violence. Each of the three authors examined here exposes, in stylistically distinct ways, different but equally devasting aspects of the violence visited upon enslaved women. Taken together, a holistic poetics of sexual violence and slavery emerges: the myth of volition and consent is dismantled, and the representation of trauma is brought to the fore.

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Publication Details

Journal
Journal of Literary Semantics
Published
2025-04-01
DOI
https://doi.org/10.1515/jls-2025-2002
Primary Topic
Postcolonial and Cultural Literary Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

The poetics of sexual violence in three African-American women’s neo-slave narratives: Margaret Walker’s Jubilee, Octavia E. Butler’s Kindred and Toni Morrison’s Beloved

Richard J. Whitt
Journal of Literary Semantics
Postcolonial and Cultural Literary Studies
article

The poetics of sexual violence in three African-American women’s neo-slave narratives: Margaret Walker’s Jubilee, Octavia E. Butler’s Kindred and Toni Morrison’s Beloved

Richard J. Whitt
article en

Abstract

Abstract This paper focuses on the representation of sexual violence in the neo-slave narratives of Margaret Walker, Octavia E. Butler and Toni Morrison. Through an exploration of mind-modelling in three key scenes, a range of linguistic techniques are employed to elucidate the psychological component of such violence. Each of the three authors examined here exposes, in stylistically distinct ways, different but equally devasting aspects of the violence visited upon enslaved women. Taken together, a holistic poetics of sexual violence and slavery emerges: the myth of volition and consent is dismantled, and the representation of trauma is brought to the fore.

Journal of Literary SemanticsVol. 54(1)
University of Nottingham (GB)
Openalex Percentile: Top 93%
Postcolonial and Cultural Literary Studies
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The poetics of sexual violence in three African-American women’s neo-slave narratives: Margaret Walker’s <i>Jubilee</i>, Octavia E. Butler’s <i>Kindred</i> and Toni Morrison’s <i>Beloved</i> — Richard J. Whitt · Journal of Literary Semantics (2025) | TGRS Research Map | TGRS