Yr Ogof: Site-Responsive Immersive Composition for Bryn Celli Ddu

Yr Ogof is a site-responsive composition that was created during an artist residency at the Neolithic site Bryn Celli Ddu on Ynys Mon. It is an ethereal vocal piece that uses movement and spatial ambience to create an otherworldly, canonic and hypnotic choral soundscape that reflects on how voice can connect to the ancient landscape. The choral piece has no words and was influenced by the storytelling-like encounters with archaeologists and previous artist interpretations that In the passing-on of knowledge, these encounters shaped the direction of how as an artist I could respond to the site leading to the creation of three immersive iterations and listening experiences of Yr Ogof; binaural installation and performance at Heuldro Festival (Bryn Celli Ddu) and an ambisonic interaction for Everday is Spatial.

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Publication Details

Journal
International Journal of Creative Media Research
Published
2025-04-09
DOI
https://doi.org/10.24135/ijcmr.v11i1.140
Primary Topic
Architecture and Computational Design
Type
article
Field-Weighted Citation Impact
0.00
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article

Yr Ogof: Site-Responsive Immersive Composition for Bryn Celli Ddu

Tane Hunter
International Journal of Creative Media Research
Architecture and Computational Design
article

Yr Ogof: Site-Responsive Immersive Composition for Bryn Celli Ddu

Tane Hunter
article en

Abstract

Yr Ogof is a site-responsive composition that was created during an artist residency at the Neolithic site Bryn Celli Ddu on Ynys Mon. It is an ethereal vocal piece that uses movement and spatial ambience to create an otherworldly, canonic and hypnotic choral soundscape that reflects on how voice can connect to the ancient landscape. The choral piece has no words and was influenced by the storytelling-like encounters with archaeologists and previous artist interpretations that In the passing-on of knowledge, these encounters shaped the direction of how as an artist I could respond to the site leading to the creation of three immersive iterations and listening experiences of Yr Ogof; binaural installation and performance at Heuldro Festival (Bryn Celli Ddu) and an ambisonic interaction for Everday is Spatial.

International Journal of Creative Media ResearchVol. 11
Openalex Percentile: Top 93%
Architecture and Computational Design
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