The Beholder’s Share: Bridging art and neuroscience to study individual differences in subjective experience

Our experience of the world is inherently subjective, shaped by individual history, knowledge, and perspective. Art offers a framework within which this subjectivity is practiced and promoted, inviting viewers to engage in interpretation. According to art theory, different forms of art-ranging from the representational to the abstract-challenge these interpretive processes in different ways. Yet, much remains unknown about how art is subjectively interpreted. In this study, we sought to elucidate the neural and cognitive mechanisms that underlie the subjective interpretation of art. Using brain imaging and written descriptions, we quantified individual variability in responses to paintings by the same artists, contrasting figurative and abstract paintings. Our findings revealed that abstract art elicited greater interindividual variability in activity within higher-order, associative brain areas, particularly those comprising the default-mode network. By contrast, no such differences were found in early visual areas, suggesting that subjective variability arises from higher cognitive processes rather than differences in sensory processing. These findings provide insight into how the brain engages with and perceives different forms of art and imbues it with subjective interpretation.

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Publication Details

Journal
Proceedings of the National Academy of Sciences
Published
2025-04-07
DOI
https://doi.org/10.1073/pnas.2413871122
Citations
2
Primary Topic
Aesthetic Perception and Analysis
Type
article
Field-Weighted Citation Impact
2.86

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article

The Beholder’s Share: Bridging art and neuroscience to study individual differences in subjective experience

Christopher Baldassano, Celia Durkin, Eric R. Kandel, Daphna Shohamy et al.
2 citations
Proceedings of the National Academy of Sciences
Aesthetic Perception and Analysis
2.86
article

The Beholder’s Share: Bridging art and neuroscience to study individual differences in subjective experience

Christopher Baldassano, Celia Durkin, Eric R. Kandel, Daphna Shohamy, Marc Apicella
article en
2 citations

Abstract

Our experience of the world is inherently subjective, shaped by individual history, knowledge, and perspective. Art offers a framework within which this subjectivity is practiced and promoted, inviting viewers to engage in interpretation. According to art theory, different forms of art-ranging from the representational to the abstract-challenge these interpretive processes in different ways. Yet, much remains unknown about how art is subjectively interpreted. In this study, we sought to elucidate the neural and cognitive mechanisms that underlie the subjective interpretation of art. Using brain imaging and written descriptions, we quantified individual variability in responses to paintings by the same artists, contrasting figurative and abstract paintings. Our findings revealed that abstract art elicited greater interindividual variability in activity within higher-order, associative brain areas, particularly those comprising the default-mode network. By contrast, no such differences were found in early visual areas, suggesting that subjective variability arises from higher cognitive processes rather than differences in sensory processing. These findings provide insight into how the brain engages with and perceives different forms of art and imbues it with subjective interpretation.

Proceedings of the National Academy of SciencesVol. 122(15)
Kavli Institute for Theoretical Sciences (CN), Brain (Germany) (DE), Columbia University (US)
Dana Foundation, Azrieli Foundation
Openalex Percentile: Top 11%
Aesthetic Perception and Analysis
2.86
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The Beholder’s Share: Bridging art and neuroscience to study individual differences in subjective experience — Christopher Baldassano, Celia Durkin, et al. · Proceedings of the National Academy of Sciences (2025) | TGRS Research Map | TGRS