The Modernist Exceptional Merits in The Architecture of Qahtan Al-Madfai

In the last two decades Modern architecture of the 20th century has become a primary focus for numerous global organizations, researchers, and academics who aim to preserve and sustain it. The leading parties in this endeavor are UNESCO and the International DOCOMOMO. They recognize modern heritage as tangible, authentic, carrying exceptional features and modern characteristics that reflect values, shifts, and norms of its era. Therefore, Docomomo has identified key Modernist Merits as criteria to assess the authenticity of this heritage, while UNESCO has listed many modern buildings and sites on the World Heritage List. In this respect many Iraqi modernist buildings suffer from mishandling and poor interest. Numerous have been distorted, demolished, or are on the verge of disappearing. This reflects a lack of understanding their exceptional modernist values which are worthy of preservation, and thus inefficiency in managing this heritage. Given that Intervention in modernist heritage involves adhering to guidelines set by international organization, the vague connection between criteria of DOCOMOMO and those of UNESCO clouds the process. Therefore, this article focuses on addressing the relationship between the two organizations' sets of criteria and clarifying their connection. The authors also aimed to address the national Iraqi context by assessing selected cases of modernist heritage buildings by one of Iraq’s modernism pioneers, architect Qahtan Al-Madfai, against DOCOMOMO’s criteria for modernist merits, highlighting the originality of Iraqi modernist heritage.Using a descriptive analytical approach, the theoretical sections of the paper begin by exploring the principles and characteristics of modern architecture, followed by identifying the exceptional values of modernist buildings, defined by DOCOMOMO as Modernist Merits and linking them to UNESCO's criteria. The practical part includes an experts’ survey to assess the Modernist Merits of the selected sample of Al- Madfaies’ buildings.The research results showed that Qahtaan Al-Madfai’s architecture was distinguished by a high evaluation of two Merits (exceptional features): the technological feature and the artistic aesthetic feature. While the first was fairly preserved, the second feature was affected in some buildings as a result of the mismanagement of these buildings and the lack of awareness of their values.

Authors

Publication Details

Journal
Al-Nahrain Journal for Engineering Sciences
Published
2025-04-07
DOI
https://doi.org/10.29194/njes.28010073
Primary Topic
Architecture and Cultural Influences
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

The Modernist Exceptional Merits in The Architecture of Qahtan Al-Madfai

Saba Sami Al Ali, Ali Saadoon Sultani
Al-Nahrain Journal for Engineering Sciences
Architecture and Cultural Influences
article

The Modernist Exceptional Merits in The Architecture of Qahtan Al-Madfai

Saba Sami Al Ali, Ali Saadoon Sultani
article en

Abstract

In the last two decades Modern architecture of the 20th century has become a primary focus for numerous global organizations, researchers, and academics who aim to preserve and sustain it. The leading parties in this endeavor are UNESCO and the International DOCOMOMO. They recognize modern heritage as tangible, authentic, carrying exceptional features and modern characteristics that reflect values, shifts, and norms of its era. Therefore, Docomomo has identified key Modernist Merits as criteria to assess the authenticity of this heritage, while UNESCO has listed many modern buildings and sites on the World Heritage List. In this respect many Iraqi modernist buildings suffer from mishandling and poor interest. Numerous have been distorted, demolished, or are on the verge of disappearing. This reflects a lack of understanding their exceptional modernist values which are worthy of preservation, and thus inefficiency in managing this heritage. Given that Intervention in modernist heritage involves adhering to guidelines set by international organization, the vague connection between criteria of DOCOMOMO and those of UNESCO clouds the process. Therefore, this article focuses on addressing the relationship between the two organizations' sets of criteria and clarifying their connection. The authors also aimed to address the national Iraqi context by assessing selected cases of modernist heritage buildings by one of Iraq’s modernism pioneers, architect Qahtan Al-Madfai, against DOCOMOMO’s criteria for modernist merits, highlighting the originality of Iraqi modernist heritage.Using a descriptive analytical approach, the theoretical sections of the paper begin by exploring the principles and characteristics of modern architecture, followed by identifying the exceptional values of modernist buildings, defined by DOCOMOMO as Modernist Merits and linking them to UNESCO's criteria. The practical part includes an experts’ survey to assess the Modernist Merits of the selected sample of Al- Madfaies’ buildings.The research results showed that Qahtaan Al-Madfai’s architecture was distinguished by a high evaluation of two Merits (exceptional features): the technological feature and the artistic aesthetic feature. While the first was fairly preserved, the second feature was affected in some buildings as a result of the mismanagement of these buildings and the lack of awareness of their values.

Al-Nahrain Journal for Engineering SciencesVol. 28(1)
Openalex Percentile: Top 90%
Architecture and Cultural Influences
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.