Բանավոր ժողովրդական մշակույթի փոխադրումը գրավորի «Սիրակարկաջ»-ի էջերում

The article discusses the "Sirakarkaj" songbook, published in Calcutta in 1830, within the context of the transition from oral folk to written culture. The compiler of the book brought together Armenian, Persian and Indian folk songs (in Armenian script), in one songbook aimed at an Armenian audience, which also reflects the cultural diversity present in Calcutta at the time. By emphasizing the mediator role of the compiler in transforming oral folk culture into written form, the article raises the question of the extent of the compiler's intervention in the folk works collected in the songbook. Although the verses in songbook had folk origins, it is a literary material processed by the compiler and presented to the very people who created it, and it is discussed in the context of this circulation. "Sirakarkaj" is an example of secular literature, and in the article, it is analyzed in the context of changes in the printing directions and approaches of the time.

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Publication Details

Journal
Bulletin of Yerevan University B Philology
Published
2025-03-07
DOI
https://doi.org/10.46991/bysu.b/2025.16.1.144
Primary Topic
History and Cultural Heritage
Type
article
Field-Weighted Citation Impact
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article

Բանավոր ժողովրդական մշակույթի փոխադրումը գրավորի «Սիրակարկաջ»-ի էջերում

Lilit H. Tsaturyan
Bulletin of Yerevan University B Philology
History and Cultural Heritage
article

Բանավոր ժողովրդական մշակույթի փոխադրումը գրավորի «Սիրակարկաջ»-ի էջերում

Lilit H. Tsaturyan
article en

Abstract

The article discusses the "Sirakarkaj" songbook, published in Calcutta in 1830, within the context of the transition from oral folk to written culture. The compiler of the book brought together Armenian, Persian and Indian folk songs (in Armenian script), in one songbook aimed at an Armenian audience, which also reflects the cultural diversity present in Calcutta at the time. By emphasizing the mediator role of the compiler in transforming oral folk culture into written form, the article raises the question of the extent of the compiler's intervention in the folk works collected in the songbook. Although the verses in songbook had folk origins, it is a literary material processed by the compiler and presented to the very people who created it, and it is discussed in the context of this circulation. "Sirakarkaj" is an example of secular literature, and in the article, it is analyzed in the context of changes in the printing directions and approaches of the time.

Bulletin of Yerevan University B PhilologyVol. 16(1(46))
Openalex Percentile: Top 92%
History and Cultural Heritage
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