Law 3.0: Technology and Law in the Entertainment Industry – The Case of Ticket Touting

Abstract This article examines the evolution of the law’s attempts to regulate technological advancements in the entertainment industry in general, and the sale and resale of event tickets in particular. Drawing on the analytical framework developed by Roger Brownsword, where he identifies three stages in the evolution of the law’s regulation of technology, we begin by tracing the key legal interventions in the entertainment industry to demonstrate how there is an increasing dissonance between the development of new technologies and their effective regulation by the law. As a result of this dissonance, a more effective approach could be to use technological developments as a means of regulation, instead of being the subject of regulation. The article then moves on to evaluate how advances in ticketing technology can be used to regulate the unlawful resale of event tickets, known as ticket touting or ticket scalping. It concludes by arguing that although technological developments often shape legal and regulatory environments, law is only ever part of the answer, and that technology should be used as a way of regulating the resale of event tickets.

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Publication Details

Journal
Zeitschrift für Rechtssoziologie
Published
2025-04-04
DOI
https://doi.org/10.1515/zfrs-2025-2006
Primary Topic
Law in Society and Culture
Type
article
Field-Weighted Citation Impact
0.00
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article

Law 3.0: Technology and Law in the Entertainment Industry – The Case of Ticket Touting

Guy Osborn, Mark James
Zeitschrift für Rechtssoziologie
Law in Society and Culture
article

Law 3.0: Technology and Law in the Entertainment Industry – The Case of Ticket Touting

Guy Osborn, Mark James
article en

Abstract

Abstract This article examines the evolution of the law’s attempts to regulate technological advancements in the entertainment industry in general, and the sale and resale of event tickets in particular. Drawing on the analytical framework developed by Roger Brownsword, where he identifies three stages in the evolution of the law’s regulation of technology, we begin by tracing the key legal interventions in the entertainment industry to demonstrate how there is an increasing dissonance between the development of new technologies and their effective regulation by the law. As a result of this dissonance, a more effective approach could be to use technological developments as a means of regulation, instead of being the subject of regulation. The article then moves on to evaluate how advances in ticketing technology can be used to regulate the unlawful resale of event tickets, known as ticket touting or ticket scalping. It concludes by arguing that although technological developments often shape legal and regulatory environments, law is only ever part of the answer, and that technology should be used as a way of regulating the resale of event tickets.

Zeitschrift für RechtssoziologieVol. 45(1)
Manchester Metropolitan University (GB), University of Westminster (GB)
Openalex Percentile: Top 90%
Law in Society and Culture
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