The Women as witness to desire: Power lines and structures in <i>Lanval </i>by Marie de France.

This article interrogates the role of women in Marie de France’s Lanval by examining how female figures function as symbolic witnesses and repositories of desire within the feudal court. Drawing on theoretical frameworks advanced by Julia Kristeva, the study argues that medieval literature constructs women as the Other, whose absence of personhood provides a space for the projection of male desire, lending itself to the pursuit of honour and spiritual ascendance. Through a detailed analysis of the dual portrayals of the fairy queen and the feudal queen, the article demonstrates how these figures, though superficially subversive, ultimately reinforce the gendered hierarchies of courtly love. The narrative techniques employed in Lanval—from lexical choices and character juxtapositions to the symbolic settings of the forest and court—reveal a deep reliance on the female form to validate the male quest for refinement and societal worth. By contrasting the two characters, the article underscores how women are reduced to ‘objects of exchange’, serving primarily to witness and substantiate male progress (Kristeva, 1981, p. 50). In doing so, it highlights the inherent tension between the subversive potential of Lanval and its structural adherence to patriarchal values, offering insight into the complex interplay of desire, power, and gender in medieval narratives.