REFLEXOS DA CULTURA: CONSUMO, UNIFORMIDADE E A ILUSÃO DE DIVERSIDADE

The phenomenon of cultural standardization in contemporary society is closely tied to the illusion of diversity promoted by mass consumption. Globalization and digital technologies contribute to the dissemination of hegemonic cultural patterns, masked under the guise of plurality. The cultural industry plays a central role in this process, offering cultural products that appear diverse but, in reality, follow a uniform and standardized model. This false diversity is reflected in consumption, where choices seem varied but adhere to a market logic that prioritizes profitability over authenticity. Such a context reduces cultural authenticity and threatens regional identities, replacing them with global models of easy assimilation. Simultaneously, the entertainment industry consolidates narratives that reinforce this homogenization, shaping perceptions of cultural value. However, local resistance, through cultural movements and preservation initiatives, challenges this hegemony. These efforts promote authentic cultural expressions and value local identities, even amid the leveling influence of globalization. Thus, cultural consumption reveals a mirror effect: it reflects uniformity masked as plurality while concealing the profound impacts of this logic on global cultural diversity.

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Publication Details

Journal
Revista fisio&terapia.
Published
2025-04-04
DOI
https://doi.org/10.69849/revistaft/ar10202504041345
Primary Topic
Social and Economic Solidarity
Type
article
Field-Weighted Citation Impact
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article

REFLEXOS DA CULTURA: CONSUMO, UNIFORMIDADE E A ILUSÃO DE DIVERSIDADE

Saulo Felipe Basso dos Santos, Armando Almeida, Wasley Barbosa Fagundes, Victor Barbosa de Souza et al.
Revista fisio&terapia.
Social and Economic Solidarity
article

REFLEXOS DA CULTURA: CONSUMO, UNIFORMIDADE E A ILUSÃO DE DIVERSIDADE

Saulo Felipe Basso dos Santos, Armando Almeida, Wasley Barbosa Fagundes, Victor Barbosa de Souza, Rogério Eduardo Leivas de Castro, C. Batista, Analice da Costa Azevedo, Vitor Hugo do Nascimento Lampe, Heitor Leandro Foss Soares, Marilaine Langbecker Bianquin
article en

Abstract

The phenomenon of cultural standardization in contemporary society is closely tied to the illusion of diversity promoted by mass consumption. Globalization and digital technologies contribute to the dissemination of hegemonic cultural patterns, masked under the guise of plurality. The cultural industry plays a central role in this process, offering cultural products that appear diverse but, in reality, follow a uniform and standardized model. This false diversity is reflected in consumption, where choices seem varied but adhere to a market logic that prioritizes profitability over authenticity. Such a context reduces cultural authenticity and threatens regional identities, replacing them with global models of easy assimilation. Simultaneously, the entertainment industry consolidates narratives that reinforce this homogenization, shaping perceptions of cultural value. However, local resistance, through cultural movements and preservation initiatives, challenges this hegemony. These efforts promote authentic cultural expressions and value local identities, even amid the leveling influence of globalization. Thus, cultural consumption reveals a mirror effect: it reflects uniformity masked as plurality while concealing the profound impacts of this logic on global cultural diversity.

Revista fisio&terapia.Vol. 29(144)
Openalex Percentile: Top 91%
Social and Economic Solidarity
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REFLEXOS DA CULTURA: CONSUMO, UNIFORMIDADE E A ILUSÃO DE DIVERSIDADE — Saulo Felipe Basso dos Santos, Armando Almeida, et al. · Revista fisio&terapia. (2025) | TGRS Research Map | TGRS