Looking for—and Finding?—Workshop Makers’ Marks on Late Roman Diatreta

This note presents an exciting new identification concerning late Roman carved workshop makers’ marks on glass diatreta—a discovery that was hidden in plain sight. This is a preliminary result of a forthcoming comprehensive study of the abstracted, openwork symbols that sometimes accompany an inscription. On glass objects, if mentioned at all in past scholarship, they have been misleadingly referred to only as “stop-marks” designed to ornamentally frame an adjacent inscription. By instead approaching these symbols as imagistic script, a visualized form of the presentation of writing, their communicative purposes can be better recognized along with their producers. Through this approach, two remarkably similar glass openwork vessels—each with an identical symbol—and a possible third vessel with a nearly identical symbol and a related design have been identified. Together they represent compelling evidence of makers’ marks and workshop production.

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Publication Details

Journal
Journal of glass studies
Published
2025-04-04
DOI
https://doi.org/10.3998/jgs.6943
Citations
1
Primary Topic
Ancient Mediterranean Archaeology and History
Type
article
Field-Weighted Citation Impact
0.00
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article

Looking for—and Finding?—Workshop Makers’ Marks on Late Roman Diatreta

Hallie G. Meredith
1 citations
Journal of glass studies
Ancient Mediterranean Archaeology and History
article

Looking for—and Finding?—Workshop Makers’ Marks on Late Roman Diatreta

Hallie G. Meredith
article en
1 citations

Abstract

This note presents an exciting new identification concerning late Roman carved workshop makers’ marks on glass diatreta—a discovery that was hidden in plain sight. This is a preliminary result of a forthcoming comprehensive study of the abstracted, openwork symbols that sometimes accompany an inscription. On glass objects, if mentioned at all in past scholarship, they have been misleadingly referred to only as “stop-marks” designed to ornamentally frame an adjacent inscription. By instead approaching these symbols as imagistic script, a visualized form of the presentation of writing, their communicative purposes can be better recognized along with their producers. Through this approach, two remarkably similar glass openwork vessels—each with an identical symbol—and a possible third vessel with a nearly identical symbol and a related design have been identified. Together they represent compelling evidence of makers’ marks and workshop production.

Journal of glass studiesVol. 66(0)
Washington State University (US)
Openalex Percentile: Top 91%
Ancient Mediterranean Archaeology and History
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