Verbum Verbo Concepisti. The Word’s Incarnation in Some Images of the Annunciation in the Light of Medieval Liturgical Hymns

This article aims to explain why, in some European representations of the Annunciation, a bundle of rays of light comes from the mouth of God the Father toward the head/ear of the Virgin Mary. In order to find a satisfactory answer to this problem, the author first studies a series of biblical, patristic, theological, and liturgical sources referring to the supernatural human conception of the Word of God in Mary’s immaculate womb. He then analyzes eleven images of the Annunciation that present this peculiarity. Finally, through a comparative analysis between the doctrinal texts and these exceptional images, the author concludes that the latter illustrate as visual metaphors the textual metaphors contained in the writings of some Church Fathers, medieval theologians, and liturgical hymnographers; that is to say, the beam of rays of light emitted by the mouth of the Most High to the Virgin’s head/ear metaphorizes the human conception/incarnation of the Word of God in the virginal womb of Mary.

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Publication Details

Journal
Religions
Published
2025-04-01
DOI
https://doi.org/10.3390/rel16040456
Primary Topic
Renaissance Literature and Culture
Type
article
Field-Weighted Citation Impact
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article

Verbum Verbo Concepisti. The Word’s Incarnation in Some Images of the Annunciation in the Light of Medieval Liturgical Hymns

José María Salvador González
Religions
Renaissance Literature and Culture
article

Verbum Verbo Concepisti. The Word’s Incarnation in Some Images of the Annunciation in the Light of Medieval Liturgical Hymns

José María Salvador González
article en

Abstract

This article aims to explain why, in some European representations of the Annunciation, a bundle of rays of light comes from the mouth of God the Father toward the head/ear of the Virgin Mary. In order to find a satisfactory answer to this problem, the author first studies a series of biblical, patristic, theological, and liturgical sources referring to the supernatural human conception of the Word of God in Mary’s immaculate womb. He then analyzes eleven images of the Annunciation that present this peculiarity. Finally, through a comparative analysis between the doctrinal texts and these exceptional images, the author concludes that the latter illustrate as visual metaphors the textual metaphors contained in the writings of some Church Fathers, medieval theologians, and liturgical hymnographers; that is to say, the beam of rays of light emitted by the mouth of the Most High to the Virgin’s head/ear metaphorizes the human conception/incarnation of the Word of God in the virginal womb of Mary.

ReligionsVol. 16(4)
Universidad Complutense de Madrid (ES)
Openalex Percentile: Top 96%
Renaissance Literature and Culture
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