Marlboro Belt

Smoking kills. This project critically examines smoking culture and its impact on consumer behaviour. By censoring familiar design elements associated with cigarette advertising, the work challenges the romanticized imagery often used to promote smoking. The bold red-and-white aesthetic, long linked to notions aspirational lifestyles, is subverted to reveal the stark health consequences and the aggressive marketing strategies employed by the tobacco industry. Through this artistic exploration, the piece highlights how branding shapes public perception, particularly among younger demographics, and raises ethical concerns about the normalisation of smoking. The project underscores the contrast between the symbolic appeal of cigarette advertising and the harsh reality of tobacco-related harm, encouraging viewers to question the power of visual identity. By distorting these recognisable motifs, the work aims to provoke critical reflection on the responsibilities of both corporations and consumers in addressing the global health crisis linked to smoking. Beyond tobacco critique, the piece invites viewers to reconsider the ethics of visual communication and the social responsibility of designers, how colors, typography, and imagery provokes emotional and psychological responses.

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Publication Details

Journal
Northumbria Student Academic Journal
Published
2025-04-02
DOI
https://doi.org/10.19164/nusaj.v1i1.1675
Primary Topic
Coastal and Marine Management
Type
article
Field-Weighted Citation Impact
0.00
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article

Marlboro Belt

Bao Tran
Northumbria Student Academic Journal
Coastal and Marine Management
article

Marlboro Belt

Bao Tran
article en

Abstract

Smoking kills. This project critically examines smoking culture and its impact on consumer behaviour. By censoring familiar design elements associated with cigarette advertising, the work challenges the romanticized imagery often used to promote smoking. The bold red-and-white aesthetic, long linked to notions aspirational lifestyles, is subverted to reveal the stark health consequences and the aggressive marketing strategies employed by the tobacco industry. Through this artistic exploration, the piece highlights how branding shapes public perception, particularly among younger demographics, and raises ethical concerns about the normalisation of smoking. The project underscores the contrast between the symbolic appeal of cigarette advertising and the harsh reality of tobacco-related harm, encouraging viewers to question the power of visual identity. By distorting these recognisable motifs, the work aims to provoke critical reflection on the responsibilities of both corporations and consumers in addressing the global health crisis linked to smoking. Beyond tobacco critique, the piece invites viewers to reconsider the ethics of visual communication and the social responsibility of designers, how colors, typography, and imagery provokes emotional and psychological responses.

Northumbria Student Academic JournalVol. 1(1)
Northumbria University (GB)
Openalex Percentile: Top 90%
Coastal and Marine Management
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