From Stage Carnival to Algorithmic Heroism: A Tri-Generational Analysis of Chinese Youth Values through Popular Music

This study outlines the trajectory of Chinese youth’s values from collective dependence to algorithmic collective heroism through a cross-generational textual analysis. against the backdrop of Chinese pursuit of modernization, the rise of digital capitalism and the commodification of cultural production have led three generations to construct different symbolic systems: the 1990s generation first characterized resistant collectivism as “reveling on the stage”; the 2000s generation represented resilient dialectics as “walking in the rain”; and the 2010s generation reconstructed algorithmic heroism in the face of algorithmic colonization. This evolution is not only a projection of Chinese sociopolitical changes but also an enlightening framework for understanding the formation of generational values in hypermodern society.

Authors

Publication Details

Journal
Journal of Social Science and Humanities
Published
2025-03-26
DOI
https://doi.org/10.53469/jssh.2025.7(03).05
Primary Topic
Music History and Culture
Type
article
Field-Weighted Citation Impact
0.00
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article

From Stage Carnival to Algorithmic Heroism: A Tri-Generational Analysis of Chinese Youth Values through Popular Music

Zheng Xie
Journal of Social Science and Humanities
Music History and Culture
article

From Stage Carnival to Algorithmic Heroism: A Tri-Generational Analysis of Chinese Youth Values through Popular Music

Zheng Xie
article en

Abstract

This study outlines the trajectory of Chinese youth’s values from collective dependence to algorithmic collective heroism through a cross-generational textual analysis. against the backdrop of Chinese pursuit of modernization, the rise of digital capitalism and the commodification of cultural production have led three generations to construct different symbolic systems: the 1990s generation first characterized resistant collectivism as “reveling on the stage”; the 2000s generation represented resilient dialectics as “walking in the rain”; and the 2010s generation reconstructed algorithmic heroism in the face of algorithmic colonization. This evolution is not only a projection of Chinese sociopolitical changes but also an enlightening framework for understanding the formation of generational values in hypermodern society.

Journal of Social Science and HumanitiesVol. 7(3)
Openalex Percentile: Top 94%
Music History and Culture
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