Glazed ceramics with epigraphical ornament from Kutaisi Historical Museum

Research objectives: An analysis of vessels decorated with epigraphic motifs preserved in the glazed ceramics collection of the Kutaisi Historical Museum and, based on the analysis of similar material, determining the collection’s origins. Research materials: The artifacts found during the 1984–2010 archeological research of the medieval city of Kutaisi, which are preserved in the archeological fund of the museum, were used. Results and novelty of the research: The tradition of ornamenting ceramics with Arabic calligraphic inscriptions was widespread in the Eastern world since the 10th century. Arabic letters were considered a sacred image in the Middle Ages and had a semantic meaning. The inscriptions were aphoristic in content (religious sayings from the Qur’an, admonitions), blessed and benevolent (blessings, wishes for success), or consisted only of words (names of God and prophets), syllables, or single letters. Later, the epigraphic ornament developed in two directions. First, the letters were transformed into plant flowers and flo­wers as a result of stylization; that is, the process of floriation developed. Secondly, the epigraphic ornament turned into a stylized pseudo-epigraphical motif imitating the Arabic script. As a result of the comparison of the Kutaisi samples with their foreign counterparts and the analysis of the inscription, it was determined that one of the bowls is decorated with a pseudo-epigraphical ornament, in particular, with separate letters and signs of the word “ikbal” (success) made in imitation of Kufic calligraphy. It may be either an imported product or a local imitation. The second bowl is undoubtedly an oriental-style Kashan ware imported from the Muslim world, the epigraphic ornament of which represents the Arabic word “ikbal” written in Kufic letters. The question of its origin is still controversial (Lower Volga Region, Khorezm, Nishapur) and requires additional research. It is a novelty that, for the first time, an imported item of glazed ceramics decorated with an epigraphic ornament from the Kutaisi collection was brought into scientific circulation.

Authors

Publication Details

Journal
Golden Horde Review
Published
2025-03-31
DOI
https://doi.org/10.22378/2313-6197.2025-13-1.101-115
Citations
1
Primary Topic
Eurasian Exchange Networks
Type
article
Field-Weighted Citation Impact
11.35
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

Glazed ceramics with epigraphical ornament from Kutaisi Historical Museum

Irina Ugrekhelidze, Nona Kartsidze, Nino Sarava, Davit Sulaberidze
1 citations
Golden Horde Review
Eurasian Exchange Networks
11.35
article

Glazed ceramics with epigraphical ornament from Kutaisi Historical Museum

Irina Ugrekhelidze, Nona Kartsidze, Nino Sarava, Davit Sulaberidze
article en
1 citations

Abstract

Research objectives: An analysis of vessels decorated with epigraphic motifs preserved in the glazed ceramics collection of the Kutaisi Historical Museum and, based on the analysis of similar material, determining the collection’s origins. Research materials: The artifacts found during the 1984–2010 archeological research of the medieval city of Kutaisi, which are preserved in the archeological fund of the museum, were used. Results and novelty of the research: The tradition of ornamenting ceramics with Arabic calligraphic inscriptions was widespread in the Eastern world since the 10th century. Arabic letters were considered a sacred image in the Middle Ages and had a semantic meaning. The inscriptions were aphoristic in content (religious sayings from the Qur’an, admonitions), blessed and benevolent (blessings, wishes for success), or consisted only of words (names of God and prophets), syllables, or single letters. Later, the epigraphic ornament developed in two directions. First, the letters were transformed into plant flowers and flo­wers as a result of stylization; that is, the process of floriation developed. Secondly, the epigraphic ornament turned into a stylized pseudo-epigraphical motif imitating the Arabic script. As a result of the comparison of the Kutaisi samples with their foreign counterparts and the analysis of the inscription, it was determined that one of the bowls is decorated with a pseudo-epigraphical ornament, in particular, with separate letters and signs of the word “ikbal” (success) made in imitation of Kufic calligraphy. It may be either an imported product or a local imitation. The second bowl is undoubtedly an oriental-style Kashan ware imported from the Muslim world, the epigraphic ornament of which represents the Arabic word “ikbal” written in Kufic letters. The question of its origin is still controversial (Lower Volga Region, Khorezm, Nishapur) and requires additional research. It is a novelty that, for the first time, an imported item of glazed ceramics decorated with an epigraphic ornament from the Kutaisi collection was brought into scientific circulation.

Golden Horde ReviewVol. 13(1)
Openalex Percentile: Top 4%
Eurasian Exchange Networks
11.35
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.