On the Philosophical Poetics of Light in the Sequences of Adam of St Victor

The philosophical poetics of light in Adam of St. Victor’s sequences are pursued in this paper with special focus on the interdependence of the metaphor of light for the divine and their theological undertones in the Victorine tradition. Through close hermeneutical analysis, the study reveals the way in which Adam’s use of light transcends being mere literary trope but rather constitutes profound exploration of biblical imagery and doctrinal teachings. In the context of the Easter sequences, light signifies transition from death to life and represents the redemptive power of Christ’s resurrection. This paper also investigates Adam’s evocative vocabulary in terms of polyvalence of meanings of light as it relates to knowledge, grace, and moral edification. By intermingling elements of theology and liturgy, the paper argues that the theme of light is sacramental sign of divine revelation that goes beyond the physical and metaphysical in ways that reflect the human experience of truth and faith. This study not only shows a greater insight into Adam’s literary purposes but also enhances the discussion of the philosophical basis of religious imagery in medieval thought.