Study on the Design Composition and Expressive Techniques of the Naesosa Yeongsan Hoe Gwaebuldo

This study analyzes the design composition and expressive techniques of the Naesosa Yeongsan Hoe Gwaebuldo, highlighting its formative characteristics and art historical significance within the 17th-century late Joseon period Buddhist paintings. The artwork, nearly square in shape, adopts a symmetrical seven-figure format to achieve balance and stability, while the Samgok posture enhances its sacred atmosphere. The use of green, blue, and white pigments along with intricate detailing enriches the composition. The study also examines the impact of preservation treatments, revealing color changes and pigment loss due to multiple restoration efforts, emphasizing the need for precise conservation research. By identifying the distinctive formative aspects of the Naesosa Yeongsan Hoe Gwaebuldo, this research contributes to the study of late Joseon Buddhist paintings and calls for further comparative analysis with similar artworks for deeper insights.