The Digital Memory Hole: Distortion and Accountability in the Age of New Media

ABSTRACT Physical forms of media are increasingly being phased out and replaced by digital media. While this transition entails significant gains for consumers, it also presents risks that are worthy of attention and analysis. Thanks to the rise of channels of distribution such as streaming platforms, it is increasingly the case that content that has previously been made available in the marketplace can be disappeared or covertly edited in the absence of any significant scrutiny, criticism, or feedback. This paper presents two arguments regarding why this pattern of behavior may prove pernicious. The first argument posits that removing and revising culturally significant works is likely to distort people's understanding of the past, which has the potential to generate patterns of thinking and behavior that are corrosive for society. The second argument makes the case that the practice of removing and revising published content at will is damaging to the project of achieving accountability in the media marketplace. In light of these arguments, it is noted that there are alternative strategies for grappling with the existence of controversial pieces of media that are additive rather than subtractive, and do not pose a risk of generating distortion or undermining accountability.

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Publication Details

Journal
Philosophy &amp Public Affairs
Published
2025-03-28
DOI
https://doi.org/10.1111/papa.12284
Citations
1
Primary Topic
Copyright and Intellectual Property
Type
article
Field-Weighted Citation Impact
2.07
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article

The Digital Memory Hole: Distortion and Accountability in the Age of New Media

Francesco Stellin Sturino
1 citations
Philosophy &amp Public Affairs
Copyright and Intellectual Property
2.07
article

The Digital Memory Hole: Distortion and Accountability in the Age of New Media

Francesco Stellin Sturino
article en
1 citations

Abstract

ABSTRACT Physical forms of media are increasingly being phased out and replaced by digital media. While this transition entails significant gains for consumers, it also presents risks that are worthy of attention and analysis. Thanks to the rise of channels of distribution such as streaming platforms, it is increasingly the case that content that has previously been made available in the marketplace can be disappeared or covertly edited in the absence of any significant scrutiny, criticism, or feedback. This paper presents two arguments regarding why this pattern of behavior may prove pernicious. The first argument posits that removing and revising culturally significant works is likely to distort people's understanding of the past, which has the potential to generate patterns of thinking and behavior that are corrosive for society. The second argument makes the case that the practice of removing and revising published content at will is damaging to the project of achieving accountability in the media marketplace. In light of these arguments, it is noted that there are alternative strategies for grappling with the existence of controversial pieces of media that are additive rather than subtractive, and do not pose a risk of generating distortion or undermining accountability.

Philosophy &amp Public AffairsVol. 53(3)
McMaster University (CA)
Peace, Justice and strong institutions
Openalex Percentile: Top 14%
Copyright and Intellectual Property
2.07
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