Vampiric Episteme and the Reconfigurations of the Cinematographic Vampire

We seek to analyze the reconfigurations of the vampire in contemporary cinema. However, our aim is not mapping this phenomenon, but underlining some examples of the most blockbuster Hollywood productions and focusing (above all) in an analysis of a vampiric episteme that can reflect the characteristics and ability of this being to adapt to the new desires of the public and society. In a vast history of representations, the vampire has encompassed an interesting multiplicity, with a variation of readings of his sociopolitical and cultural metaphors. In this way, it is possible to identify the transformation of this classic Gothic villain into contemporary appearances that dialogue with our new desires and needs. Nowadays, our current experiences proposals that cast these personas through heroic figures in different narrative arcs that are not limited to just the horror genre.

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Publication Details

Journal
Bulletin of the Transilvania University of Brasov Series IV Philology and Cultural Studies
Published
2025-03-28
DOI
https://doi.org/10.31926/but.pcs.2025.67.18.1.8
Primary Topic
Gothic Literature and Media Analysis
Type
article
Field-Weighted Citation Impact
0.00
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article

Vampiric Episteme and the Reconfigurations of the Cinematographic Vampire

Yuri Garcia
1 links
Bulletin of the Transilvania University of Brasov Series IV Philology and Cultural Studies
Gothic Literature and Media Analysis
article

Vampiric Episteme and the Reconfigurations of the Cinematographic Vampire

Yuri Garcia
article en

Abstract

We seek to analyze the reconfigurations of the vampire in contemporary cinema. However, our aim is not mapping this phenomenon, but underlining some examples of the most blockbuster Hollywood productions and focusing (above all) in an analysis of a vampiric episteme that can reflect the characteristics and ability of this being to adapt to the new desires of the public and society. In a vast history of representations, the vampire has encompassed an interesting multiplicity, with a variation of readings of his sociopolitical and cultural metaphors. In this way, it is possible to identify the transformation of this classic Gothic villain into contemporary appearances that dialogue with our new desires and needs. Nowadays, our current experiences proposals that cast these personas through heroic figures in different narrative arcs that are not limited to just the horror genre.

Bulletin of the Transilvania University of Brasov Series IV Philology and Cultural Studies
Anhembi Morumbi University (BR), Universidade do Estado do Rio de Janeiro (BR)
Openalex Percentile: Top 93%
Gothic Literature and Media Analysis
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