At the Bottom of Both Worlds: Hierarchy of Speeches in “Blade” (1998)

The present work seeks to observe the hierarchy of speeches in the first Blade (1998) movie. Since the black vampire hunter is half human and half vampire, we must analyze its complex existence in both groups. Due to the fact he is a black man, it is possible to see parallels between the existing racial prejudice in the off-screen world and the separation shown in the film. Besides, as a half vampire, he is also considered at the bottom of the vampire world hierarchy. Although he is portrayed as an outcast, living outside the margins of society, Blade is placed at the center of a myth as the one with the power to awaken an ancient vampire god. To understand the paradoxes of Blade’s identity, we intend to focus on the power dynamics presented in the movie through the lens of the decolonial studies framework, considering authors such as Achille Mbembe, Denise Ferreira da Silva and Homi Bhabha.

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Publication Details

Journal
Bulletin of the Transilvania University of Brasov Series IV Philology and Cultural Studies
Published
2025-03-28
DOI
https://doi.org/10.31926/but.pcs.2025.67.18.1.6
Primary Topic
Narrative Theory and Analysis
Type
article
Field-Weighted Citation Impact
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article

At the Bottom of Both Worlds: Hierarchy of Speeches in “Blade” (1998)

Elisabete Lima, J. Barroso
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Bulletin of the Transilvania University of Brasov Series IV Philology and Cultural Studies
Narrative Theory and Analysis
article

At the Bottom of Both Worlds: Hierarchy of Speeches in “Blade” (1998)

Elisabete Lima, J. Barroso
article en

Abstract

The present work seeks to observe the hierarchy of speeches in the first Blade (1998) movie. Since the black vampire hunter is half human and half vampire, we must analyze its complex existence in both groups. Due to the fact he is a black man, it is possible to see parallels between the existing racial prejudice in the off-screen world and the separation shown in the film. Besides, as a half vampire, he is also considered at the bottom of the vampire world hierarchy. Although he is portrayed as an outcast, living outside the margins of society, Blade is placed at the center of a myth as the one with the power to awaken an ancient vampire god. To understand the paradoxes of Blade’s identity, we intend to focus on the power dynamics presented in the movie through the lens of the decolonial studies framework, considering authors such as Achille Mbembe, Denise Ferreira da Silva and Homi Bhabha.

Bulletin of the Transilvania University of Brasov Series IV Philology and Cultural Studies
Universidade do Estado do Rio de Janeiro (BR), Universidade Federal do Estado do Rio de Janeiro (BR)
Openalex Percentile: Top 94%
Narrative Theory and Analysis
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