Horace in La-la Land: The Pure Poetry of <i>Odes</i> 1.22 and 2.5

This essay reappraises the relation of Horace’s Lalage odes (Carm. 1.22 and 2.5) both to their Aeolic precursors (Sappho and Alcaeus) and to each other. After resurveying the Aeolic landscape reflected in the Horatian corpus, it argues that Odes 1.22 and 2.5 occupy a special and hitherto underappreciated place within this landscape. The former poem integrates the erotic experience described in Sappho frag. 31 with the exilic experience described in Alcaeus frag. 130b, while the latter employs elusive allusions and an ambiguous addressee to differentiate itself both from its Sapphic sources (frags. 1, 31, and 96) and from Odes 1.22 itself.

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Publication Details

Journal
Classical Philology
Published
2025-03-28
DOI
https://doi.org/10.1086/734426
Primary Topic
Classical Antiquity Studies
Type
article
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article

Horace in La-la Land: The Pure Poetry of Odes 1.22 and 2.5

Justin Hudak
Classical Philology
Classical Antiquity Studies
article

Horace in La-la Land: The Pure Poetry of Odes 1.22 and 2.5

Justin Hudak
article en

Abstract

This essay reappraises the relation of Horace’s Lalage odes (Carm. 1.22 and 2.5) both to their Aeolic precursors (Sappho and Alcaeus) and to each other. After resurveying the Aeolic landscape reflected in the Horatian corpus, it argues that Odes 1.22 and 2.5 occupy a special and hitherto underappreciated place within this landscape. The former poem integrates the erotic experience described in Sappho frag. 31 with the exilic experience described in Alcaeus frag. 130b, while the latter employs elusive allusions and an ambiguous addressee to differentiate itself both from its Sapphic sources (frags. 1, 31, and 96) and from Odes 1.22 itself.

Classical PhilologyVol. 120(2)
Taft College (US)
Openalex Percentile: Top 92%
Classical Antiquity Studies
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