PHILOSOPHICAL AND CULTURAL ANALYSIS OF THEATRICAL INTERPRETATION

The range of problems of theatrical hermeneutics is based on the correlation of various types of interpretation, which consist in identifying the semantic structure of the literary source, staging concepts, performing expression, audience reception, etc. The historical existence of the work is characterized by a number of possible concretisations. The author analyzes the theatrical interpretation in the article, the distinctive feature of which is its relative freedom, which means the absence of the final meaning of the work and, as a result, the performance. Hermeneutics is justified by the author from the point of view of theatrical culture, which allows us to consider theatrical interpretation as a multi-stage process characterized by the synthesis of various types of interpretations. It is proved that the theatrical text reveals a multiplicity of meaning, which determines the multiplicity of equal interpretations. The principle of multiple interpretations, in turn, implements the principle of non-linearity in the organization of discourse. Text categories such as multiplicity, incompleteness, non-linearity, and openness form the hypertextuality of literary texts. Due to the openness of the work, the text can be used as sequential and inconclusive interpretations, which creates a variety of interactions between the text and the scene. The author identifies three levels of theatrical interpretation: 1) interpretation of a literary work by the director; 2) interpretation of the director's idea of the work by the actor; 3) spectator readinginterpretation of the author's work.